After the Rain vs Creamy paint color comparison

After the Rain vs Creamy

After the RainSherwin-WilliamsvsCreamySherwin-WilliamsΔE 29.8Very different colors

After the Rain and Creamy come from the same Sherwin-Williams collection. After the Rain reads as blue, while Creamy reads as beige — two distinct hue families, not close cousins. The 32-point LRV gap — 81 for Creamy vs 49 for After the Rain — means Creamy will open up a space more effectively. Where After the Rain leans cool, Creamy reads warm — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 29.8 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 8 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.

After the Rain vs Creamy in Real Spaces

8 real rooms side by side. Seeing After the Rain and Creamy in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.

Living Room

A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. Creamy reflects noticeably more light off the walls, making the space read more open than After the Rain.

After the RainA industrial living room painted in After the Rain

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CreamyCreamy SW 7012 living room

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Bedroom

Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. Creamy returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.

After the RainA cozy bedroom painted in After the Rain

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CreamyBedroom painted in Sherwin-Williams Creamy

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Kitchen

Kitchens often have the harshest, most revealing light in the house — under-cabinet LEDs and overhead fixtures that strip away subtlety. Creamy returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.

After the RainAfter the Rain — bold kitchen

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CreamySherwin Williams Creamy kitchen cabinets

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Dining Room

Dining rooms often rely on warm incandescent or candlelight, which flatters warm undertones and mutes cool ones. The LRV gap is large enough that Creamy will make the room feel meaningfully brighter than After the Rain would.

After the RainAfter the Rain paint in a mid century dining room

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CreamySW Creamy dining room review

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Bathroom

Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. Creamy returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.

After the RainAfter the Rain — industrial bathroom

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CreamyWhite bathroom in Creamy by Sherwin Williams

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Home Office

Home office walls matter more than most — you're looking at them all day, and a color that reads fine at first can become tiring over time. Creamy returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.

After the RainSherwin-Williams After the Rain in a minimalist home office

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CreamySW 7012 home office inspiration

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House

A full exterior is the most demanding test for a paint color — scale and outdoor light both amplify differences that seem small on a swatch. Creamy returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.

After the RainAfter the Rain color — aesthetic house inspiration

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CreamyCreamy house color review

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Front Door

On a front door, the color is both the first and last thing you see — a context where even a modest tonal difference reads clearly. Creamy reflects noticeably more light off the walls, making the space read more open than After the Rain.

After the Raintraditional front door featuring After the Rain by Sherwin-Williams

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CreamyWhite front door with Creamy SW 7012

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Color Details

After the Rain
Sherwin-Williams · 9047
LRV49.4
BrandSherwin-Williams
Number9047
Undertone
TemperatureCool
BrightnessMedium
Creamy
Sherwin-Williams · 7012
LRV81.2
BrandSherwin-Williams
Number7012
Undertone
TemperatureWarm
BrightnessLight

After the Rain vs Creamy Simulated Comparison

5 simulated room previews — drag the slider on each to see After the Rain on one side and Creamy on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More After the Rain comparisons

See how After the Rain stacks up against other well-photographed colors across different brands and tones.

Ammonite
After the Rain
Ammonite
After the Rain
Farrow & Ball
Ammonite
LRV 69
Sherwin-Williams
After the Rain
9047 · LRV 49

At LRV 69 vs 49, Ammonite is decisively the brighter choice.

White Dove
After the Rain
White Dove
After the Rain
Sherwin-Williams
After the Rain
9047 · LRV 49

White Dove reflects far more light (LRV 83 vs 49), opening up a space where After the Rain encloses it.

After the Rain
Iron Ore
After the Rain
Iron Ore
Sherwin-Williams
After the Rain
9047 · LRV 49

After the Rain reflects far more light (LRV 49 vs 6), opening up a space where Iron Ore encloses it.

Purbeck Stone
After the Rain
Purbeck Stone
After the Rain
Sherwin-Williams
After the Rain
9047 · LRV 49

Their light reflectance is nearly identical (LRV 52 vs 49), so neither reads brighter in a room.

After the Rain
Evergreen Fog
After the Rain
Evergreen Fog
Sherwin-Williams
After the Rain
9047 · LRV 49

At LRV 49 vs 30, After the Rain is decisively the brighter choice.

Mizzle
After the Rain
Mizzle
After the Rain
Farrow & Ball
Mizzle
LRV 52
Sherwin-Williams
After the Rain
9047 · LRV 49

With LRVs of 52 and 49, the two reflect almost the same amount of light.

After the Rain
Agreeable Gray
After the Rain
Agreeable Gray
Sherwin-Williams
After the Rain
9047 · LRV 49

A 11-point LRV gap (60 vs 49) makes Agreeable Gray the marginally brighter of the two.

Accessible Beige
After the Rain
Accessible Beige
After the Rain
Sherwin-Williams
After the Rain
9047 · LRV 49

Accessible Beige reads slightly lighter (LRV 58 vs 49), a gap that shows most in low-lit rooms.

Denim Drift
After the Rain
Denim Drift
After the Rain
Sherwin-Williams
After the Rain
9047 · LRV 49

After the Rain reflects far more light (LRV 49 vs 27), opening up a space where Denim Drift encloses it.

French Gray
After the Rain
French Gray
After the Rain
Sherwin-Williams
After the Rain
9047 · LRV 49

A 6-point LRV gap (49 vs 43) makes After the Rain the marginally brighter of the two.

After the Rain
Naval
After the Rain
Naval
Sherwin-Williams
After the Rain
9047 · LRV 49
Sherwin-Williams
Naval
LRV 4

At LRV 49 vs 4, After the Rain is decisively the brighter choice.

Tranquil Dawn
After the Rain
Tranquil Dawn
After the Rain
Sherwin-Williams
After the Rain
9047 · LRV 49

Tranquil Dawn reads slightly lighter (LRV 55 vs 49), a gap that shows most in low-lit rooms.

Bancha
After the Rain
Bancha
After the Rain
Farrow & Ball
Bancha
LRV 13
Sherwin-Williams
After the Rain
9047 · LRV 49

After the Rain reflects far more light (LRV 49 vs 13), opening up a space where Bancha encloses it.

Hardwick White
After the Rain
Hardwick White
After the Rain
Sherwin-Williams
After the Rain
9047 · LRV 49

After the Rain reads slightly lighter (LRV 49 vs 44), a gap that shows most in low-lit rooms.

After the Rain
Pure White
After the Rain
Pure White
Sherwin-Williams
After the Rain
9047 · LRV 49

At LRV 84 vs 49, Pure White is decisively the brighter choice.

After the Rain
Artichoke
After the Rain
Artichoke
Sherwin-Williams
After the Rain
9047 · LRV 49
Sherwin-Williams
Artichoke
LRV 21

At LRV 49 vs 21, After the Rain is decisively the brighter choice.

Balboa Mist
After the Rain
Balboa Mist
After the Rain
Sherwin-Williams
After the Rain
9047 · LRV 49

Balboa Mist reflects far more light (LRV 66 vs 49), opening up a space where After the Rain encloses it.

After the Rain
Shoji White
After the Rain
Shoji White
Sherwin-Williams
After the Rain
9047 · LRV 49

Shoji White reflects far more light (LRV 74 vs 49), opening up a space where After the Rain encloses it.

After the Rain
Snowbound
After the Rain
Snowbound
Sherwin-Williams
After the Rain
9047 · LRV 49
Sherwin-Williams
Snowbound
LRV 83

Snowbound reflects far more light (LRV 83 vs 49), opening up a space where After the Rain encloses it.

Pigeon
After the Rain
Pigeon
After the Rain
Farrow & Ball
Pigeon
LRV 51
Sherwin-Williams
After the Rain
9047 · LRV 49

Their light reflectance is nearly identical (LRV 51 vs 49), so neither reads brighter in a room.

After the Rain
Pewter Green
After the Rain
Pewter Green
Sherwin-Williams
After the Rain
9047 · LRV 49

After the Rain reflects far more light (LRV 49 vs 12), opening up a space where Pewter Green encloses it.

Duck Green
After the Rain
Duck Green
After the Rain
Sherwin-Williams
After the Rain
9047 · LRV 49

After the Rain reflects far more light (LRV 49 vs 8), opening up a space where Duck Green encloses it.

Skimming Stone
After the Rain
Skimming Stone
After the Rain
Sherwin-Williams
After the Rain
9047 · LRV 49

Skimming Stone reflects far more light (LRV 68 vs 49), opening up a space where After the Rain encloses it.

Dix Blue
After the Rain
Dix Blue
After the Rain
Farrow & Ball
Dix Blue
LRV 41
Sherwin-Williams
After the Rain
9047 · LRV 49

A 8-point LRV gap (49 vs 41) makes After the Rain the marginally brighter of the two.

Hicks' Blue
After the Rain
Hicks' Blue
After the Rain

Hicks' Blue vs After the Rain

Slaked Lime Deep
After the Rain
Slaked Lime Deep
After the Rain

Slaked Lime Deep vs After the Rain

Vintage Vogue
After the Rain
Vintage Vogue
After the Rain
Sherwin-Williams
After the Rain
9047 · LRV 49

After the Rain reflects far more light (LRV 49 vs 12), opening up a space where Vintage Vogue encloses it.

Livid
After the Rain
Livid
After the Rain
Sherwin-Williams
After the Rain
9047 · LRV 49

Livid vs After the Rain

Saybrook Sage
After the Rain
Saybrook Sage
After the Rain
Sherwin-Williams
After the Rain
9047 · LRV 49

After the Rain reads slightly lighter (LRV 49 vs 45), a gap that shows most in low-lit rooms.

Pale Green
After the Rain
Pale Green
After the Rain
RAL ClassicClassic
Pale Green
LRV 31
Sherwin-Williams
After the Rain
9047 · LRV 49

At LRV 49 vs 31, After the Rain is decisively the brighter choice.