Ocean Abyss vs Tinsmith
Where Ocean Abyss belongs to Behr's range, Tinsmith is a Sherwin-Williams color. Hue-wise, Ocean Abyss belongs to the blue family and Tinsmith to the grey family. Tinsmith (LRV 57) reflects noticeably more light than Ocean Abyss (LRV 7), a difference of 50 points that becomes especially apparent in rooms with limited natural light. Ocean Abyss runs blue while Tinsmith is decidedly neutral, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 48.9, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Ocean Abyss vs Tinsmith in Real Spaces
1 real room side by side. Seeing Ocean Abyss and Tinsmith in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Kitchen
In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. Tinsmith reflects noticeably more light off the walls, making the space read more open than Ocean Abyss.
Color Details
Ocean Abyss vs Tinsmith Simulated Comparison
5 simulated room previews — drag the slider on each to see Ocean Abyss on one side and Tinsmith on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Ocean Abyss comparisons
See how Ocean Abyss stacks up against other well-photographed colors across different brands and tones.
