Andes Summit vs White Down paint color comparison

Andes Summit vs White Down

Andes SummitBenjamin MoorevsWhite DownBenjamin MooreΔE 52.3 — Very different colors

Both are Benjamin Moore colors. Andes Summit reads as blue-grey, while White Down reads as beige-white — two distinct hue families, not close cousins. At LRV 77 vs 14, White Down will read as the brighter of the two — a 63-point gap that matters most in north-facing or low-light rooms. The tonal difference — Andes Summit's blue character against White Down's yellow — becomes most visible against white trim or in morning light. At ΔE 52.3, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.

Andes Summit vs White Down in Real Spaces

1 real room side by side. Seeing Andes Summit and White Down in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.

Living Room

Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. White Down returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.

Andes SummitCsp-600 Stairs

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White DownBenjamin Moore White Down living room interior

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Color Details

Andes Summit
Benjamin Moore · CSP-600
LRV14.1
BrandBenjamin Moore
NumberCSP-600
UndertoneBlue
TemperatureCool
BrightnessDark
White Down
Benjamin Moore · OC-131
LRV76.7
BrandBenjamin Moore
NumberOC-131
UndertoneYellow
TemperatureWarm
BrightnessLight

Andes Summit vs White Down Simulated Comparison

5 simulated room previews — drag the slider on each to see Andes Summit on one side and White Down on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.