Ashland Slate vs Windmill Lane
Ashland Slate is a Benjamin Moore color while Windmill Lane comes from Little Greene. Hue-wise, Ashland Slate belongs to the grey family and Windmill Lane to the green-grey family. At LRV 31 vs 16, Windmill Lane will read as the brighter of the two — a 15-point gap that matters most in north-facing or low-light rooms. The tonal difference — Ashland Slate's blue character against Windmill Lane's green — becomes most visible against white trim or in morning light. At ΔE 21.2, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Ashland Slate vs Windmill Lane in Real Spaces
2 real rooms side by side. Seeing Ashland Slate and Windmill Lane in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. The LRV gap is large enough that Windmill Lane will make the room feel meaningfully brighter than Ashland Slate would.
Kitchen Cabinets
On cabinetry, undertone and temperature become more pronounced against countertops and hardware. The LRV gap is large enough that Windmill Lane will make the room feel meaningfully brighter than Ashland Slate would.
Color Details
Ashland Slate vs Windmill Lane Simulated Comparison
5 simulated room previews — drag the slider on each to see Ashland Slate on one side and Windmill Lane on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Ashland Slate comparisons
See how Ashland Slate stacks up against other well-photographed colors across different brands and tones.
