Beneath the Clouds vs Stormy Monday
Both are Benjamin Moore colors. Hue-wise, Beneath the Clouds belongs to the blue-grey family and Stormy Monday to the grey family. With LRVs of 42 and 41, they'll behave almost identically in terms of how much light they reflect back into a room. The tonal difference — Beneath the Clouds's blue character against Stormy Monday's red — becomes most visible against white trim or in morning light. At ΔE 7.1, the difference is perceptible but not dramatic — the two can work harmoniously in the same space. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Beneath the Clouds vs Stormy Monday in Real Spaces
2 real rooms side by side. Beneath the Clouds and Stormy Monday are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Dining Room
Dining room light is typically the warmest in the house, which shifts both colors toward the red end of the spectrum compared to daylight. Stormy Monday brings more warmth to the space, while Beneath the Clouds keeps things cooler and crisper.
Front Door
Front doors are seen in isolation against the rest of the facade, which makes them a high-stakes surface where even subtle differences matter. Beneath the Clouds reads more restrained here, while Stormy Monday adds a sense of enclosure and warmth.
Color Details
Beneath the Clouds vs Stormy Monday Simulated Comparison
5 simulated room previews — drag the slider on each to see Beneath the Clouds on one side and Stormy Monday on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Beneath the Clouds comparisons
See how Beneath the Clouds stacks up against other well-photographed colors across different brands and tones.
At LRV 69 vs 42, Ammonite is decisively the brighter choice.
White Dove reflects far more light (LRV 83 vs 42), opening up a space where Beneath the Clouds encloses it.
Beneath the Clouds reflects far more light (LRV 42 vs 6), opening up a space where Iron Ore encloses it.
A 10-point LRV gap (52 vs 42) makes Purbeck Stone the marginally brighter of the two.
A 11-point LRV gap (42 vs 30) makes Beneath the Clouds the marginally brighter of the two.
Mizzle reads slightly lighter (LRV 52 vs 42), a gap that shows most in low-lit rooms.
At LRV 60 vs 42, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 42), opening up a space where Beneath the Clouds encloses it.
Beneath the Clouds reflects far more light (LRV 42 vs 27), opening up a space where Denim Drift encloses it.
Their light reflectance is nearly identical (LRV 43 vs 42), so neither reads brighter in a room.
At LRV 42 vs 4, Beneath the Clouds is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 42), opening up a space where Beneath the Clouds encloses it.
Beneath the Clouds reflects far more light (LRV 42 vs 13), opening up a space where Bancha encloses it.
With LRVs of 44 and 42, the two reflect almost the same amount of light.
At LRV 84 vs 42, Pure White is decisively the brighter choice.
At LRV 42 vs 21, Beneath the Clouds is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 42), opening up a space where Beneath the Clouds encloses it.
Shoji White reflects far more light (LRV 74 vs 42), opening up a space where Beneath the Clouds encloses it.
Snowbound reflects far more light (LRV 83 vs 42), opening up a space where Beneath the Clouds encloses it.
A 9-point LRV gap (51 vs 42) makes Pigeon the marginally brighter of the two.
Beneath the Clouds reflects far more light (LRV 42 vs 12), opening up a space where Pewter Green encloses it.
Beneath the Clouds reflects far more light (LRV 42 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 42), opening up a space where Beneath the Clouds encloses it.
Their light reflectance is nearly identical (LRV 42 vs 41), so neither reads brighter in a room.
Beneath the Clouds reflects far more light (LRV 42 vs 12), opening up a space where Vintage Vogue encloses it.
Saybrook Sage reads slightly lighter (LRV 45 vs 42), a gap that shows most in low-lit rooms.
A 11-point LRV gap (42 vs 31) makes Beneath the Clouds the marginally brighter of the two.