Black Ink vs RAL 110-2
Where Black Ink belongs to Benjamin Moore's range, RAL 110-2 is a RAL Effect color. Hue-wise, Black Ink belongs to the blue-grey family and RAL 110-2 to the greige-grey family. RAL 110-2 (LRV 72) reflects noticeably more light than Black Ink (LRV 6), a difference of 66 points that becomes especially apparent in rooms with limited natural light. With a ΔE of 64.1, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Black Ink vs RAL 110-2 in Real Spaces
2 real rooms side by side. Seeing Black Ink and RAL 110-2 in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
House
Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. RAL 110-2 reflects noticeably more light off the walls, making the space read more open than Black Ink.
Kitchen Cabinets
Kitchen cabinets are constantly compared against adjacent materials, which means subtle differences between these two become much more visible. RAL 110-2 reflects noticeably more light off the walls, making the space read more open than Black Ink.
Color Details
Black Ink vs RAL 110-2 Simulated Comparison
5 simulated room previews — drag the slider on each to see Black Ink on one side and RAL 110-2 on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Black Ink comparisons
See how Black Ink stacks up against other well-photographed colors across different brands and tones.
