Clear Skies vs Windmill Lane
Clear Skies (Benjamin Moore) and Windmill Lane (Little Greene) come from different manufacturers. Hue-wise, Clear Skies belongs to the blue family and Windmill Lane to the green-grey family. The 46-point LRV gap — 77 for Clear Skies vs 31 for Windmill Lane — means Clear Skies will open up a space more effectively. Where Clear Skies leans blue, Windmill Lane reads green — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 30.6 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Clear Skies vs Windmill Lane Simulated Comparison
5 simulated room previews — drag the slider on each to see Clear Skies on one side and Windmill Lane on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Clear Skies comparisons
See how Clear Skies stacks up against other well-photographed colors across different brands and tones.
