Dijon vs In the Midnight Hour
Both from Benjamin Moore's palette. Hue-wise, Dijon belongs to the beige family and In the Midnight Hour to the blue family. Dijon (LRV 54) reflects noticeably more light than In the Midnight Hour (LRV 10), a difference of 44 points that becomes especially apparent in rooms with limited natural light. Dijon runs red while In the Midnight Hour is decidedly blue, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 61.6, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Dijon vs In the Midnight Hour Simulated Comparison
5 simulated room previews — drag the slider on each to see Dijon on one side and In the Midnight Hour on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Dijon comparisons
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