Distant Gray vs All White
Where Distant Gray belongs to Benjamin Moore's range, All White is a Farrow & Ball color. Distant Gray reads as green-grey, while All White reads as beige-white — two distinct hue families, not close cousins. All White (LRV 94) reflects noticeably more light than Distant Gray (LRV 88), a difference of 6 points that becomes especially apparent in rooms with limited natural light. Distant Gray runs neutral while All White is decidedly warm, which means they'll respond very differently to warm vs cool light sources. At ΔE 2.5, these are close — the kind of difference that matters when choosing between them, but doesn't read strongly in a finished room. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Distant Gray vs All White Simulated Comparison
5 simulated room previews — drag the slider on each to see Distant Gray on one side and All White on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Distant Gray comparisons
See how Distant Gray stacks up against other well-photographed colors across different brands and tones.
