Filtered Sunlight vs Windmill Lane
Where Filtered Sunlight belongs to Benjamin Moore's range, Windmill Lane is a Little Greene color. Filtered Sunlight reads as beige-red, while Windmill Lane reads as green-grey — two distinct hue families, not close cousins. Filtered Sunlight (LRV 81) reflects noticeably more light than Windmill Lane (LRV 31), a difference of 50 points that becomes especially apparent in rooms with limited natural light. Filtered Sunlight runs red while Windmill Lane is decidedly green, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 33.4, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Filtered Sunlight vs Windmill Lane Simulated Comparison
5 simulated room previews — drag the slider on each to see Filtered Sunlight on one side and Windmill Lane on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Filtered Sunlight comparisons
See how Filtered Sunlight stacks up against other well-photographed colors across different brands and tones.
