Fireball Orange vs RAL 110-2
Fireball Orange (Benjamin Moore) and RAL 110-2 (RAL Effect) come from different manufacturers. Fireball Orange reads as pink-red, while RAL 110-2 reads as greige-grey — two distinct hue families, not close cousins. The 53-point LRV gap — 72 for RAL 110-2 vs 19 for Fireball Orange — means RAL 110-2 will open up a space more effectively. A ΔE of 69.3 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Fireball Orange vs RAL 110-2 in Real Spaces
2 real rooms side by side. Seeing Fireball Orange and RAL 110-2 in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. RAL 110-2 reflects noticeably more light off the walls, making the space read more open than Fireball Orange.
House
A full exterior is the most demanding test for a paint color — scale and outdoor light both amplify differences that seem small on a swatch. RAL 110-2 returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Color Details
Fireball Orange vs RAL 110-2 Simulated Comparison
5 simulated room previews — drag the slider on each to see Fireball Orange on one side and RAL 110-2 on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Fireball Orange comparisons
See how Fireball Orange stacks up against other well-photographed colors across different brands and tones.
