From the Archives vs Windmill Lane
Where From the Archives belongs to Benjamin Moore's range, Windmill Lane is a Little Greene color. Hue-wise, From the Archives belongs to the beige family and Windmill Lane to the green-grey family. From the Archives (LRV 61) reflects noticeably more light than Windmill Lane (LRV 31), a difference of 30 points that becomes especially apparent in rooms with limited natural light. From the Archives runs red while Windmill Lane is decidedly green, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 26.4, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
From the Archives vs Windmill Lane Simulated Comparison
5 simulated room previews — drag the slider on each to see From the Archives on one side and Windmill Lane on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More From the Archives comparisons
See how From the Archives stacks up against other well-photographed colors across different brands and tones.
