In the Midnight Hour vs White Wisp
Both from Benjamin Moore's palette. In the Midnight Hour reads as blue, while White Wisp reads as white — two distinct hue families, not close cousins. White Wisp (LRV 78) reflects noticeably more light than In the Midnight Hour (LRV 10), a difference of 68 points that becomes especially apparent in rooms with limited natural light. In the Midnight Hour runs blue while White Wisp is decidedly green, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 57.9, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
In the Midnight Hour vs White Wisp Simulated Comparison
5 simulated room previews — drag the slider on each to see In the Midnight Hour on one side and White Wisp on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More In the Midnight Hour comparisons
See how In the Midnight Hour stacks up against other well-photographed colors across different brands and tones.
