In the Twilight vs Windmill Lane
In the Twilight (Benjamin Moore) and Windmill Lane (Little Greene) come from different manufacturers. In the Twilight reads as blue-grey, while Windmill Lane reads as green-grey — two distinct hue families, not close cousins. The 9-point LRV gap — 31 for Windmill Lane vs 22 for In the Twilight — means Windmill Lane will open up a space more effectively. Where In the Twilight leans cool, Windmill Lane reads green — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 24.1 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
In the Twilight vs Windmill Lane Simulated Comparison
5 simulated room previews — drag the slider on each to see In the Twilight on one side and Windmill Lane on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More In the Twilight comparisons
See how In the Twilight stacks up against other well-photographed colors across different brands and tones.
