Nocturnal Gray vs RAL 110-1
Nocturnal Gray (Benjamin Moore) and RAL 110-1 (RAL Effect) come from different manufacturers. Hue-wise, Nocturnal Gray belongs to the blue-grey family and RAL 110-1 to the white family. The 66-point LRV gap — 80 for RAL 110-1 vs 14 for Nocturnal Gray — means RAL 110-1 will open up a space more effectively. A ΔE of 50.4 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Nocturnal Gray vs RAL 110-1 in Real Spaces
2 real rooms side by side. Seeing Nocturnal Gray and RAL 110-1 in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. RAL 110-1 reflects noticeably more light off the walls, making the space read more open than Nocturnal Gray.
Kitchen Cabinets
Cabinet color is always seen in context — against countertops, backsplash, and hardware — which amplifies undertone differences that might disappear on a plain wall. RAL 110-1 returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Color Details
Nocturnal Gray vs RAL 110-1 Simulated Comparison
5 simulated room previews — drag the slider on each to see Nocturnal Gray on one side and RAL 110-1 on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Nocturnal Gray comparisons
See how Nocturnal Gray stacks up against other well-photographed colors across different brands and tones.
