Springfield Sage vs RAL 110-1
Springfield Sage is a Benjamin Moore color while RAL 110-1 comes from RAL Effect. Springfield Sage reads as greige-grey, while RAL 110-1 reads as white — two distinct hue families, not close cousins. At LRV 80 vs 23, RAL 110-1 will read as the brighter of the two — a 56-point gap that matters most in north-facing or low-light rooms. At ΔE 40.4, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Springfield Sage vs RAL 110-1 in Real Spaces
2 real rooms side by side. Seeing Springfield Sage and RAL 110-1 in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. RAL 110-1 returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
House
At full exterior scale, the difference between these two colors becomes much easier to judge than from a small chip. The LRV gap is large enough that RAL 110-1 will make the room feel meaningfully brighter than Springfield Sage would.
Color Details
Springfield Sage vs RAL 110-1 Simulated Comparison
5 simulated room previews — drag the slider on each to see Springfield Sage on one side and RAL 110-1 on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Springfield Sage comparisons
See how Springfield Sage stacks up against other well-photographed colors across different brands and tones.
