White Oaks vs Washed Linen

White OaksBenjamin MoorevsWashed LinenJotunΔE 6.9Noticeable difference

White Oaks (Benjamin Moore) and Washed Linen (Jotun) come from different manufacturers. White Oaks reads as beige-white, while Washed Linen reads as beige-greige — two distinct hue families, not close cousins. The 7-point LRV gap — 62 for White Oaks vs 55 for Washed Linen — means White Oaks will open up a space more effectively. Where White Oaks leans red, Washed Linen reads warm — a distinction that shifts noticeably depending on the light source and surrounding finishes. ΔE 6.9 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.

White Oaks vs Washed Linen in Real Spaces

5 real rooms side by side. White Oaks and Washed Linen are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.

Living Room

A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. White Oaks reads slightly lighter here — a subtle but real difference in how open the space feels.

White OaksBenjamin Moore White Oaks living room interior

Visualization

Washed LinenJotun Washed Linen scandinavian living room decor

@victoriaborthen

Bedroom

Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. White Oaks has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.

White OaksBenjamin Moore White Oaks bedroom

Visualization

Washed LinenJotun Washed Linen cozy bedroom interior

@villabrattbacken

Kitchen

Kitchens often have the harshest, most revealing light in the house — under-cabinet LEDs and overhead fixtures that strip away subtlety. White Oaks has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.

White OaksBenjamin Moore White Oaks kitchen painted backsplash

Visualization

Washed LinenJotun Washed Linen minimal kitchen paint

@villapynten

Bathroom

Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. White Oaks has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.

White OaksBenjamin Moore White Oaks bathroom

Visualization

Washed LinenJotun Washed Linen scandinavian bathroom makeover

@villastenlunda

Kitchen Cabinets

Cabinet color is always seen in context — against countertops, backsplash, and hardware — which amplifies undertone differences that might disappear on a plain wall. White Oaks has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.

White OaksBenjamin Moore White Oaks kitchen cabinets

Visualization

Washed LinenJotun Washed Linen cozy kitchen cabinets paint review

@krakegatan1836

Color Details

White Oaks
Benjamin Moore · 1080
Hex#DFCDBB
LRV62.1
BrandBenjamin Moore
Number1080
UndertoneRed
TemperatureWarm
BrightnessLight
Washed Linen
Jotun · 10679
Hex#c9c3b6
LRV54.7
BrandJotun
Number10679
Undertone
TemperatureWarm
BrightnessMedium

White Oaks vs Washed Linen Simulated Comparison

5 simulated room previews — drag the slider on each to see White Oaks on one side and Washed Linen on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More White Oaks comparisons

See how White Oaks stacks up against other well-photographed colors across different brands and tones.

White Dove
White Oaks
White Dove
Benjamin Moore
White Dove
LRV 83

White Dove reads noticeably lighter

Ammonite
White Oaks
Ammonite
Farrow & Ball
Ammonite
LRV 69

Ammonite reads slightly lighter

Iron Ore
White Oaks
Iron Ore
Sherwin-Williams
Iron Ore
LRV 6

White Oaks is the lighter choice

Purbeck Stone
White Oaks
Purbeck Stone
Farrow & Ball
Purbeck Stone
LRV 52

White Oaks reads slightly lighter

Evergreen Fog
White Oaks
Evergreen Fog
Sherwin-Williams
Evergreen Fog
LRV 30

White Oaks is the lighter choice

Mizzle
White Oaks
Mizzle
Farrow & Ball
Mizzle
LRV 52

White Oaks reads slightly lighter

Agreeable Gray
White Oaks
Agreeable Gray
Sherwin-Williams
Agreeable Gray
LRV 60

Nearly identical in tone

Denim Drift
White Oaks
Denim Drift
Dulux
Denim Drift
LRV 27

White Oaks is the lighter choice

Tranquil Dawn
White Oaks
Tranquil Dawn
Dulux
Tranquil Dawn
LRV 55

White Oaks reads slightly lighter

Balboa Mist
White Oaks
Balboa Mist
Benjamin Moore
Balboa Mist
LRV 66

Balboa Mist reads slightly lighter

Vintage Vogue
White Oaks
Vintage Vogue
Benjamin Moore
Vintage Vogue
LRV 12

White Oaks is the lighter choice

Pale Green
White Oaks
Pale Green
RAL ClassicClassic
Pale Green
LRV 31

White Oaks is the lighter choice

Pine Needle
White Oaks
Pine Needle
Dulux
Pine Needle
LRV 7

White Oaks is the lighter choice

Cement grey
White Oaks
Cement grey
RAL ClassicClassic
Cement grey
LRV 24

White Oaks is the lighter choice

Black grey
White Oaks
Black grey
RAL ClassicClassic
Black grey
LRV 6

White Oaks is the lighter choice

Piazza
White Oaks
Piazza
Tikkurila
Piazza
LRV 65

Nearly identical in tone

Humble Yellow
White Oaks
Humble Yellow
Jotun
Humble Yellow
LRV 57

White Oaks reads slightly lighter

Windmill Lane
White Oaks
Windmill Lane
Little Greene
Windmill Lane
LRV 31

White Oaks is the lighter choice

Senses
White Oaks
Senses
Jotun
Senses
LRV 41

White Oaks reads noticeably lighter

Lamp Black
White Oaks
Lamp Black
Little Greene
Lamp Black
LRV 3

White Oaks is the lighter choice

Antique White
White Oaks
Antique White
Jotun
Antique White
LRV 56

White Oaks reads slightly lighter

Tea with Florence
White Oaks
Tea with Florence
Little Greene
Tea with Florence
LRV 18

White Oaks is the lighter choice

Thames Fog
White Oaks
Thames Fog
Valspar
Thames Fog
LRV 27

White Oaks is the lighter choice

Ocean Abyss
White Oaks
Ocean Abyss
Behr
Ocean Abyss
LRV 7

White Oaks is the lighter choice

Classic Silver
White Oaks
Classic Silver
Behr
Classic Silver
LRV 48

White Oaks reads noticeably lighter

Teton Blue
White Oaks
Teton Blue
Behr
Teton Blue
LRV 31

White Oaks is the lighter choice

RAL 110-2
White Oaks
RAL 110-2
RAL EffectEffect
RAL 110-2
LRV 72

RAL 110-2 reads slightly lighter

RAL 110-1
White Oaks
RAL 110-1
RAL EffectEffect
RAL 110-1
LRV 80

RAL 110-1 reads noticeably lighter

Paper
White Oaks
Paper
Tikkurila
Paper
LRV 88

Paper is the lighter choice

Passageway
White Oaks
Passageway
Valspar
Passageway
LRV 14

White Oaks is the lighter choice