Film Noir vs Windmill Lane
Film Noir (Cloverdale Paint) and Windmill Lane (Little Greene) come from different manufacturers. Hue-wise, Film Noir belongs to the grey family and Windmill Lane to the green-grey family. The 25-point LRV gap — 31 for Windmill Lane vs 6 for Film Noir — means Windmill Lane will open up a space more effectively. A ΔE of 34.5 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 4 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Film Noir vs Windmill Lane in Real Spaces
4 real rooms side by side. Seeing Film Noir and Windmill Lane in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. Windmill Lane reflects noticeably more light off the walls, making the space read more open than Film Noir.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. Windmill Lane returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Dining Room
Dining rooms often rely on warm incandescent or candlelight, which flatters warm undertones and mutes cool ones. The LRV gap is large enough that Windmill Lane will make the room feel meaningfully brighter than Film Noir would.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. Windmill Lane returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Color Details
Film Noir vs Windmill Lane Simulated Comparison
5 simulated room previews — drag the slider on each to see Film Noir on one side and Windmill Lane on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Film Noir comparisons
See how Film Noir stacks up against other well-photographed colors across different brands and tones.
