Good-Looking vs Penne

Both are Cloverdale Paint colors. These are both beiges, so the question isn't which hue to choose — it's where within beige to land. With LRVs of 67 and 66, they'll behave almost identically in terms of how much light they reflect back into a room. With a ΔE of 1.3, the difference is subtle — you'd need them side by side to reliably tell them apart. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.

Good-Looking vs Penne in Real Spaces

5 real rooms side by side. Good-Looking and Penne are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.

Living Room

Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.

Good-LookingGood-Looking 0918 by Cloverdale Paint — Living Room

@visualization

PennePenne CA129 by Cloverdale Paint — Living Room

@visualization

Bedroom

Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.

Good-LookingGood-Looking 0918 by Cloverdale Paint — Bedroom

@visualization

PennePenne CA129 by Cloverdale Paint — Bedroom

@visualization

Kitchen

Kitchen lighting tends to be bright and directional, which sharpens contrast and makes undertone differences more apparent. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.

Good-LookingGood-Looking 0918 by Cloverdale Paint — Kitchen

@visualization

PennePenne CA129 by Cloverdale Paint — Kitchen

@visualization

Dining Room

Dining room light is typically the warmest in the house, which shifts both colors toward the red end of the spectrum compared to daylight. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.

Good-LookingGood-Looking 0918 by Cloverdale Paint — Dining Room

@visualization

PennePenne CA129 by Cloverdale Paint — Dining Room

@visualization

Bathroom

Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.

Good-LookingGood-Looking 0918 by Cloverdale Paint — Bathroom

@visualization

PennePenne CA129 by Cloverdale Paint — Bathroom

@visualization

Color Details

Good-Looking
Cloverdale Paint · 0918
Hex#EBD2A8
LRV67.0
BrandCloverdale Paint
Number0918
Undertone
Temperature
BrightnessLight
Penne
Cloverdale Paint · CA129
Hex#EECFA6
LRV65.6
BrandCloverdale Paint
NumberCA129
Undertone
Temperature
BrightnessLight

Good-Looking vs Penne Simulated Comparison

5 simulated room previews — drag the slider on each to see Good-Looking on one side and Penne on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Good-Looking comparisons

See how Good-Looking stacks up against other well-photographed colors across different brands and tones.

White Dove
Good-Looking
White Dove
Benjamin Moore
White Dove
LRV 83

White Dove reads noticeably lighter

Ammonite
Good-Looking
Ammonite
Farrow & Ball
Ammonite
LRV 69

Nearly identical in tone

Iron Ore
Good-Looking
Iron Ore
Sherwin-Williams
Iron Ore
LRV 6

Good-Looking is the lighter choice

Purbeck Stone
Good-Looking
Purbeck Stone
Farrow & Ball
Purbeck Stone
LRV 52

Good-Looking reads noticeably lighter

Evergreen Fog
Good-Looking
Evergreen Fog
Sherwin-Williams
Evergreen Fog
LRV 30

Good-Looking is the lighter choice

Mizzle
Good-Looking
Mizzle
Farrow & Ball
Mizzle
LRV 52

Good-Looking reads noticeably lighter

Agreeable Gray
Good-Looking
Agreeable Gray
Sherwin-Williams
Agreeable Gray
LRV 60

Good-Looking reads slightly lighter

Denim Drift
Good-Looking
Denim Drift
Dulux
Denim Drift
LRV 27

Good-Looking is the lighter choice

Tranquil Dawn
Good-Looking
Tranquil Dawn
Dulux
Tranquil Dawn
LRV 55

Good-Looking reads noticeably lighter

Balboa Mist
Good-Looking
Balboa Mist
Benjamin Moore
Balboa Mist
LRV 66

Nearly identical in tone

Vintage Vogue
Good-Looking
Vintage Vogue
Benjamin Moore
Vintage Vogue
LRV 12

Good-Looking is the lighter choice

Pale Green
Good-Looking
Pale Green
RAL ClassicClassic
Pale Green
LRV 31

Good-Looking is the lighter choice

Pine Needle
Good-Looking
Pine Needle
Dulux
Pine Needle
LRV 7

Good-Looking is the lighter choice

Cement grey
Good-Looking
Cement grey
RAL ClassicClassic
Cement grey
LRV 24

Good-Looking is the lighter choice

Black grey
Good-Looking
Black grey
RAL ClassicClassic
Black grey
LRV 6

Good-Looking is the lighter choice

Piazza
Good-Looking
Piazza
Tikkurila
Piazza
LRV 65

Nearly identical in tone

Humble Yellow
Good-Looking
Humble Yellow
Jotun
Humble Yellow
LRV 57

Good-Looking reads slightly lighter

Windmill Lane
Good-Looking
Windmill Lane
Little Greene
Windmill Lane
LRV 31

Good-Looking is the lighter choice

Senses
Good-Looking
Senses
Jotun
Senses
LRV 41

Good-Looking is the lighter choice

Lamp Black
Good-Looking
Lamp Black
Little Greene
Lamp Black
LRV 3

Good-Looking is the lighter choice

Washed Linen
Good-Looking
Washed Linen
Jotun
Washed Linen
LRV 55

Good-Looking reads noticeably lighter

Tea with Florence
Good-Looking
Tea with Florence
Little Greene
Tea with Florence
LRV 18

Good-Looking is the lighter choice

Thames Fog
Good-Looking
Thames Fog
Valspar
Thames Fog
LRV 27

Good-Looking is the lighter choice

Ocean Abyss
Good-Looking
Ocean Abyss
Behr
Ocean Abyss
LRV 7

Good-Looking is the lighter choice

Classic Silver
Good-Looking
Classic Silver
Behr
Classic Silver
LRV 48

Good-Looking reads noticeably lighter

Teton Blue
Good-Looking
Teton Blue
Behr
Teton Blue
LRV 31

Good-Looking is the lighter choice

RAL 110-2
Good-Looking
RAL 110-2
RAL EffectEffect
RAL 110-2
LRV 72

RAL 110-2 reads slightly lighter

RAL 110-1
Good-Looking
RAL 110-1
RAL EffectEffect
RAL 110-1
LRV 80

RAL 110-1 reads noticeably lighter

Paper
Good-Looking
Paper
Tikkurila
Paper
LRV 88

Paper reads noticeably lighter

Passageway
Good-Looking
Passageway
Valspar
Passageway
LRV 14

Good-Looking is the lighter choice