Quartz Flint 2 vs RAL 110-1
Where Quartz Flint 2 belongs to Dulux's range, RAL 110-1 is a RAL Effect color. Hue-wise, Quartz Flint 2 belongs to the blue-grey family and RAL 110-1 to the white family. RAL 110-1 (LRV 80) reflects noticeably more light than Quartz Flint 2 (LRV 54), a difference of 26 points that becomes especially apparent in rooms with limited natural light. The ΔE 8.7 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Quartz Flint 2 vs RAL 110-1 in Real Spaces
2 real rooms side by side. Quartz Flint 2 and RAL 110-1 are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Kitchen
In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. RAL 110-1 reflects noticeably more light off the walls, making the space read more open than Quartz Flint 2.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. RAL 110-1 reflects noticeably more light off the walls, making the space read more open than Quartz Flint 2.
Color Details
Quartz Flint 2 vs RAL 110-1 Simulated Comparison
5 simulated room previews — drag the slider on each to see Quartz Flint 2 on one side and RAL 110-1 on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Quartz Flint 2 comparisons
See how Quartz Flint 2 stacks up against other well-photographed colors across different brands and tones.
