S 3005-G50Y vs Cement grey
S 3005-G50Y (NCS) and Cement grey (RAL Classic) come from different manufacturers. Both sit in the grey family, which is useful context if you're narrowing within a single hue direction. The 16-point LRV gap — 41 for S 3005-G50Y vs 24 for Cement grey — means S 3005-G50Y will open up a space more effectively. A ΔE of 16.1 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
S 3005-G50Y vs Cement grey in Real Spaces
2 real rooms side by side. Seeing S 3005-G50Y and Cement grey in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. S 3005-G50Y returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Kitchen Cabinets
Cabinet color is always seen in context — against countertops, backsplash, and hardware — which amplifies undertone differences that might disappear on a plain wall. S 3005-G50Y returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Color Details
S 3005-G50Y vs Cement grey Simulated Comparison
5 simulated room previews — drag the slider on each to see S 3005-G50Y on one side and Cement grey on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More S 3005-G50Y comparisons
See how S 3005-G50Y stacks up against other well-photographed colors across different brands and tones.
