RAL 180-1 vs Cosmetic Peach
RAL 180-1 (RAL Effect) and Cosmetic Peach (Sherwin-Williams) come from different manufacturers. RAL 180-1 reads as blue, while Cosmetic Peach reads as beige-pink — two distinct hue families, not close cousins. The 12-point LRV gap — 60 for Cosmetic Peach vs 49 for RAL 180-1 — means Cosmetic Peach will open up a space more effectively. A ΔE of 30.9 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
RAL 180-1 vs Cosmetic Peach in Real Spaces
2 real rooms side by side. Seeing RAL 180-1 and Cosmetic Peach in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. Cosmetic Peach returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. Cosmetic Peach returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Color Details
RAL 180-1 vs Cosmetic Peach Simulated Comparison
5 simulated room previews — drag the slider on each to see RAL 180-1 on one side and Cosmetic Peach on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More RAL 180-1 comparisons
See how RAL 180-1 stacks up against other well-photographed colors across different brands and tones.
