Adobe Sand vs Hardwick White

Adobe SandBehrvsHardwick WhiteFarrow & BallΔE 13.5Distinct difference

Where Adobe Sand belongs to Behr's range, Hardwick White is a Farrow & Ball color. Hue-wise, Adobe Sand belongs to the beige family and Hardwick White to the greige-grey family. Adobe Sand (LRV 65) reflects noticeably more light than Hardwick White (LRV 44), a difference of 21 points that becomes especially apparent in rooms with limited natural light. Adobe Sand runs red while Hardwick White is decidedly warm, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 13.5, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.

Adobe Sand vs Hardwick White in Real Spaces

2 real rooms side by side. Seeing Adobe Sand and Hardwick White in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.

Living Room

In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that Adobe Sand will make the room feel meaningfully brighter than Hardwick White would.

Adobe SandBehr Adobe Sand hallway interior

@mooreboyspainting

Hardwick WhiteFarrow and Ball Hardwick White 5 living room

@pinnaclepaintanddecorators

Bathroom

Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Adobe Sand reflects noticeably more light off the walls, making the space read more open than Hardwick White.

Adobe SandBehr Adobe Sand bathroom color

@herbertpainting

Hardwick WhiteFarrow and Ball Hardwick White 5 bathroom

@zoeallaninteriors

Color Details

Adobe Sand
Behr · N240-2
Hex#e1d0be
LRV65.0
BrandBehr
NumberN240-2
UndertoneRed
TemperatureWarm
BrightnessLight
Hardwick White
Farrow & Ball · 5
Hex#b5afa0
LRV43.7
BrandFarrow & Ball
Number5
Undertone
TemperatureWarm
BrightnessMedium

Adobe Sand vs Hardwick White Simulated Comparison

5 simulated room previews — drag the slider on each to see Adobe Sand on one side and Hardwick White on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Adobe Sand comparisons

See how Adobe Sand stacks up against other well-photographed colors across different brands and tones.

Adobe Sand
White Dove
Adobe Sand
White Dove
Behr
Adobe Sand
N240-2 · LRV 65

White Dove reflects far more light (LRV 83 vs 65), opening up a space where Adobe Sand encloses it.

Adobe Sand
Ammonite
Adobe Sand
Ammonite
Behr
Adobe Sand
N240-2 · LRV 65
Farrow & Ball
Ammonite
LRV 69

A 4-point LRV gap (69 vs 65) makes Ammonite the marginally brighter of the two.

Adobe Sand
Iron Ore
Adobe Sand
Iron Ore
Behr
Adobe Sand
N240-2 · LRV 65

Adobe Sand reflects far more light (LRV 65 vs 6), opening up a space where Iron Ore encloses it.

Adobe Sand
Purbeck Stone
Adobe Sand
Purbeck Stone
Behr
Adobe Sand
N240-2 · LRV 65

At LRV 65 vs 52, Adobe Sand is decisively the brighter choice.

Adobe Sand
Evergreen Fog
Adobe Sand
Evergreen Fog
Behr
Adobe Sand
N240-2 · LRV 65

At LRV 65 vs 30, Adobe Sand is decisively the brighter choice.

Adobe Sand
Mizzle
Adobe Sand
Mizzle
Behr
Adobe Sand
N240-2 · LRV 65
Farrow & Ball
Mizzle
LRV 52

Adobe Sand reflects far more light (LRV 65 vs 52), opening up a space where Mizzle encloses it.

Adobe Sand
Agreeable Gray
Adobe Sand
Agreeable Gray
Behr
Adobe Sand
N240-2 · LRV 65

A 5-point LRV gap (65 vs 60) makes Adobe Sand the marginally brighter of the two.

Adobe Sand
Accessible Beige
Adobe Sand
Accessible Beige
Behr
Adobe Sand
N240-2 · LRV 65

Adobe Sand reads slightly lighter (LRV 65 vs 58), a gap that shows most in low-lit rooms.

Adobe Sand
Denim Drift
Adobe Sand
Denim Drift
Behr
Adobe Sand
N240-2 · LRV 65

Adobe Sand reflects far more light (LRV 65 vs 27), opening up a space where Denim Drift encloses it.

Adobe Sand
French Gray
Adobe Sand
French Gray
Behr
Adobe Sand
N240-2 · LRV 65

At LRV 65 vs 43, Adobe Sand is decisively the brighter choice.

Adobe Sand
Naval
Adobe Sand
Naval
Behr
Adobe Sand
N240-2 · LRV 65
Sherwin-Williams
Naval
LRV 4

At LRV 65 vs 4, Adobe Sand is decisively the brighter choice.

Adobe Sand
Tranquil Dawn
Adobe Sand
Tranquil Dawn
Behr
Adobe Sand
N240-2 · LRV 65

Adobe Sand reads slightly lighter (LRV 65 vs 55), a gap that shows most in low-lit rooms.

Adobe Sand
Bancha
Adobe Sand
Bancha
Behr
Adobe Sand
N240-2 · LRV 65
Farrow & Ball
Bancha
LRV 13

Adobe Sand reflects far more light (LRV 65 vs 13), opening up a space where Bancha encloses it.

Adobe Sand
Pure White
Adobe Sand
Pure White
Behr
Adobe Sand
N240-2 · LRV 65

At LRV 84 vs 65, Pure White is decisively the brighter choice.

Adobe Sand
Artichoke
Adobe Sand
Artichoke
Behr
Adobe Sand
N240-2 · LRV 65
Sherwin-Williams
Artichoke
LRV 21

At LRV 65 vs 21, Adobe Sand is decisively the brighter choice.

Adobe Sand
Balboa Mist
Adobe Sand
Balboa Mist
Behr
Adobe Sand
N240-2 · LRV 65

With LRVs of 66 and 65, the two reflect almost the same amount of light.

Adobe Sand
Shoji White
Adobe Sand
Shoji White
Behr
Adobe Sand
N240-2 · LRV 65

Shoji White reads slightly lighter (LRV 74 vs 65), a gap that shows most in low-lit rooms.

Adobe Sand
Snowbound
Adobe Sand
Snowbound
Behr
Adobe Sand
N240-2 · LRV 65
Sherwin-Williams
Snowbound
LRV 83

Snowbound reflects far more light (LRV 83 vs 65), opening up a space where Adobe Sand encloses it.

Adobe Sand
Pewter Green
Adobe Sand
Pewter Green
Behr
Adobe Sand
N240-2 · LRV 65

Adobe Sand reflects far more light (LRV 65 vs 12), opening up a space where Pewter Green encloses it.

Adobe Sand
Skimming Stone
Adobe Sand
Skimming Stone
Behr
Adobe Sand
N240-2 · LRV 65

Skimming Stone reads slightly lighter (LRV 68 vs 65), a gap that shows most in low-lit rooms.

Adobe Sand
Dix Blue
Adobe Sand
Dix Blue
Behr
Adobe Sand
N240-2 · LRV 65
Farrow & Ball
Dix Blue
LRV 41

At LRV 65 vs 41, Adobe Sand is decisively the brighter choice.

Adobe Sand
Calamine
Adobe Sand
Calamine
Behr
Adobe Sand
N240-2 · LRV 65
Farrow & Ball
Calamine
LRV 68

Their light reflectance is nearly identical (LRV 68 vs 65), so neither reads brighter in a room.

Adobe Sand
Treron
Adobe Sand
Treron
Behr
Adobe Sand
N240-2 · LRV 65
Farrow & Ball
Treron
LRV 25

At LRV 65 vs 25, Adobe Sand is decisively the brighter choice.

Adobe Sand
Vintage Vogue
Adobe Sand
Vintage Vogue
Behr
Adobe Sand
N240-2 · LRV 65

Adobe Sand reflects far more light (LRV 65 vs 12), opening up a space where Vintage Vogue encloses it.

Adobe Sand
Saybrook Sage
Adobe Sand
Saybrook Sage
Behr
Adobe Sand
N240-2 · LRV 65

Adobe Sand reflects far more light (LRV 65 vs 45), opening up a space where Saybrook Sage encloses it.

Adobe Sand
Pale Green
Adobe Sand
Pale Green
Behr
Adobe Sand
N240-2 · LRV 65
RAL ClassicClassic
Pale Green
LRV 31

At LRV 65 vs 31, Adobe Sand is decisively the brighter choice.

Adobe Sand
Pine Needle
Adobe Sand
Pine Needle
Behr
Adobe Sand
N240-2 · LRV 65

At LRV 65 vs 7, Adobe Sand is decisively the brighter choice.

Adobe Sand
Cement grey
Adobe Sand
Cement grey
Behr
Adobe Sand
N240-2 · LRV 65
RAL ClassicClassic
Cement grey
LRV 24

At LRV 65 vs 24, Adobe Sand is decisively the brighter choice.

Adobe Sand
Guilford Green
Adobe Sand
Guilford Green
Behr
Adobe Sand
N240-2 · LRV 65

A 8-point LRV gap (65 vs 57) makes Adobe Sand the marginally brighter of the two.

Adobe Sand
Just Walnut
Adobe Sand
Just Walnut
Behr
Adobe Sand
N240-2 · LRV 65

A 7-point LRV gap (72 vs 65) makes Just Walnut the marginally brighter of the two.