After Rain vs Mizzle
After Rain is a Behr color while Mizzle comes from Farrow & Ball. After Rain reads as blue, while Mizzle reads as grey — two distinct hue families, not close cousins. At LRV 66 vs 52, After Rain will read as the brighter of the two — a 15-point gap that matters most in north-facing or low-light rooms. The tonal difference — After Rain's blue character against Mizzle's warm — becomes most visible against white trim or in morning light. At ΔE 19.4, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 6 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
After Rain vs Mizzle in Real Spaces
6 real rooms side by side. Seeing After Rain and Mizzle in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. After Rain returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The LRV gap is large enough that After Rain will make the room feel meaningfully brighter than Mizzle would.
Kitchen
Kitchen lighting tends to be bright and directional, which sharpens contrast and makes undertone differences more apparent. The LRV gap is large enough that After Rain will make the room feel meaningfully brighter than Mizzle would.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. The LRV gap is large enough that After Rain will make the room feel meaningfully brighter than Mizzle would.
House
At full exterior scale, the difference between these two colors becomes much easier to judge than from a small chip. The LRV gap is large enough that After Rain will make the room feel meaningfully brighter than Mizzle would.
Kitchen Cabinets
On cabinetry, undertone and temperature become more pronounced against countertops and hardware. The LRV gap is large enough that After Rain will make the room feel meaningfully brighter than Mizzle would.
Color Details
After Rain vs Mizzle Simulated Comparison
5 simulated room previews — drag the slider on each to see After Rain on one side and Mizzle on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More After Rain comparisons
See how After Rain stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 66, White Dove is decisively the brighter choice.
With LRVs of 69 and 66, the two reflect almost the same amount of light.
At LRV 66 vs 6, After Rain is decisively the brighter choice.
After Rain reflects far more light (LRV 66 vs 52), opening up a space where Purbeck Stone encloses it.
After Rain reflects far more light (LRV 66 vs 30), opening up a space where Evergreen Fog encloses it.
After Rain reads slightly lighter (LRV 66 vs 60), a gap that shows most in low-lit rooms.
A 9-point LRV gap (66 vs 58) makes After Rain the marginally brighter of the two.
At LRV 66 vs 27, After Rain is decisively the brighter choice.
After Rain reflects far more light (LRV 66 vs 43), opening up a space where French Gray encloses it.
After Rain reflects far more light (LRV 66 vs 4), opening up a space where Naval encloses it.
A 11-point LRV gap (66 vs 55) makes After Rain the marginally brighter of the two.
At LRV 66 vs 13, After Rain is decisively the brighter choice.
At LRV 66 vs 44, After Rain is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 66), opening up a space where After Rain encloses it.
After Rain reflects far more light (LRV 66 vs 21), opening up a space where Artichoke encloses it.
Their light reflectance is nearly identical (LRV 66 vs 66), so neither reads brighter in a room.
A 8-point LRV gap (74 vs 66) makes Shoji White the marginally brighter of the two.
At LRV 83 vs 66, Snowbound is decisively the brighter choice.
At LRV 66 vs 12, After Rain is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 68 vs 66), so neither reads brighter in a room.
After Rain reflects far more light (LRV 66 vs 41), opening up a space where Dix Blue encloses it.
With LRVs of 68 and 66, the two reflect almost the same amount of light.
After Rain reflects far more light (LRV 66 vs 25), opening up a space where Treron encloses it.
At LRV 66 vs 12, After Rain is decisively the brighter choice.
At LRV 66 vs 45, After Rain is decisively the brighter choice.
After Rain reflects far more light (LRV 66 vs 31), opening up a space where Pale Green encloses it.
After Rain reflects far more light (LRV 66 vs 7), opening up a space where Pine Needle encloses it.
After Rain reflects far more light (LRV 66 vs 24), opening up a space where Cement grey encloses it.
After Rain reads slightly lighter (LRV 66 vs 57), a gap that shows most in low-lit rooms.
Just Walnut reads slightly lighter (LRV 72 vs 66), a gap that shows most in low-lit rooms.