Antique White vs Slaked Lime Mid
Where Antique White belongs to Behr's range, Slaked Lime Mid is a Little Greene color. Antique White reads as beige-white, while Slaked Lime Mid reads as beige — two distinct hue families, not close cousins. Antique White has an LRV of 73. Both lean red, so they'll behave similarly in mixed or changing light conditions. At ΔE 1.3, these are close — the kind of difference that matters when choosing between them, but doesn't read strongly in a finished room. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Antique White vs Slaked Lime Mid Simulated Comparison
5 simulated room previews — drag the slider on each to see Antique White on one side and Slaked Lime Mid on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Antique White comparisons
See how Antique White stacks up against other well-photographed colors across different brands and tones.
Antique White reads slightly lighter (LRV 73 vs 69), a gap that shows most in low-lit rooms.
A 10-point LRV gap (83 vs 73) makes White Dove the marginally brighter of the two.
At LRV 73 vs 6, Antique White is decisively the brighter choice.
Antique White reflects far more light (LRV 73 vs 52), opening up a space where Purbeck Stone encloses it.
Antique White reflects far more light (LRV 73 vs 30), opening up a space where Evergreen Fog encloses it.
At LRV 73 vs 52, Antique White is decisively the brighter choice.
Antique White reflects far more light (LRV 73 vs 60), opening up a space where Agreeable Gray encloses it.
At LRV 73 vs 58, Antique White is decisively the brighter choice.
At LRV 73 vs 27, Antique White is decisively the brighter choice.
Antique White reflects far more light (LRV 73 vs 43), opening up a space where French Gray encloses it.
Antique White reflects far more light (LRV 73 vs 4), opening up a space where Naval encloses it.
At LRV 73 vs 55, Antique White is decisively the brighter choice.
At LRV 73 vs 13, Antique White is decisively the brighter choice.
At LRV 73 vs 44, Antique White is decisively the brighter choice.
Pure White reads slightly lighter (LRV 84 vs 73), a gap that shows most in low-lit rooms.
Antique White reflects far more light (LRV 73 vs 21), opening up a space where Artichoke encloses it.
A 7-point LRV gap (73 vs 66) makes Antique White the marginally brighter of the two.
Their light reflectance is nearly identical (LRV 74 vs 73), so neither reads brighter in a room.
A 10-point LRV gap (83 vs 73) makes Snowbound the marginally brighter of the two.
Antique White reflects far more light (LRV 73 vs 51), opening up a space where Pigeon encloses it.
At LRV 73 vs 12, Antique White is decisively the brighter choice.
At LRV 73 vs 8, Antique White is decisively the brighter choice.
A 5-point LRV gap (73 vs 68) makes Antique White the marginally brighter of the two.
Antique White reflects far more light (LRV 73 vs 41), opening up a space where Dix Blue encloses it.
At LRV 73 vs 12, Antique White is decisively the brighter choice.
At LRV 73 vs 45, Antique White is decisively the brighter choice.
Antique White reflects far more light (LRV 73 vs 31), opening up a space where Pale Green encloses it.