Blue Square vs Blue Toile
Blue Square (Behr) and Blue Toile (Benjamin Moore) come from different manufacturers. These are both blues, so the question isn't which hue to choose — it's where within blue to land. The 10-point LRV gap — 29 for Blue Toile vs 20 for Blue Square — means Blue Toile will open up a space more effectively. Both share a blue character, which means they'll respond to light and surrounding materials in similar ways. ΔE 5.5 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Blue Square vs Blue Toile Simulated Comparison
5 simulated room previews — drag the slider on each to see Blue Square on one side and Blue Toile on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Blue Square comparisons
See how Blue Square stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 20), opening up a space where Blue Square encloses it.
At LRV 69 vs 20, Ammonite is decisively the brighter choice.
Blue Square reflects far more light (LRV 20 vs 6), opening up a space where Iron Ore encloses it.
At LRV 52 vs 20, Purbeck Stone is decisively the brighter choice.
A 11-point LRV gap (30 vs 20) makes Evergreen Fog the marginally brighter of the two.
Mizzle reflects far more light (LRV 52 vs 20), opening up a space where Blue Square encloses it.
At LRV 60 vs 20, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 20), opening up a space where Blue Square encloses it.
Denim Drift reads slightly lighter (LRV 27 vs 20), a gap that shows most in low-lit rooms.
At LRV 43 vs 20, French Gray is decisively the brighter choice.
At LRV 20 vs 4, Blue Square is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 20), opening up a space where Blue Square encloses it.
Blue Square reads slightly lighter (LRV 20 vs 13), a gap that shows most in low-lit rooms.
Hardwick White reflects far more light (LRV 44 vs 20), opening up a space where Blue Square encloses it.
At LRV 84 vs 20, Pure White is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 21 vs 20), so neither reads brighter in a room.
Balboa Mist reflects far more light (LRV 66 vs 20), opening up a space where Blue Square encloses it.
Shoji White reflects far more light (LRV 74 vs 20), opening up a space where Blue Square encloses it.
Snowbound reflects far more light (LRV 83 vs 20), opening up a space where Blue Square encloses it.
Blue Square reads slightly lighter (LRV 20 vs 12), a gap that shows most in low-lit rooms.
Skimming Stone reflects far more light (LRV 68 vs 20), opening up a space where Blue Square encloses it.
At LRV 41 vs 20, Dix Blue is decisively the brighter choice.
At LRV 68 vs 20, Calamine is decisively the brighter choice.
A 5-point LRV gap (25 vs 20) makes Treron the marginally brighter of the two.
Blue Square reads slightly lighter (LRV 20 vs 12), a gap that shows most in low-lit rooms.
Saybrook Sage reflects far more light (LRV 45 vs 20), opening up a space where Blue Square encloses it.
A 11-point LRV gap (31 vs 20) makes Pale Green the marginally brighter of the two.
At LRV 20 vs 7, Blue Square is decisively the brighter choice.
A 4-point LRV gap (24 vs 20) makes Cement grey the marginally brighter of the two.
At LRV 57 vs 20, Guilford Green is decisively the brighter choice.