Chilly Blue vs Calm Tint
Chilly Blue (Behr) and Calm Tint (Cloverdale Paint) come from different manufacturers. These are both blues, so the question isn't which hue to choose — it's where within blue to land. The 5-point LRV gap — 43 for Calm Tint vs 38 for Chilly Blue — means Calm Tint will open up a space more effectively. ΔE 3.1 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Chilly Blue vs Calm Tint in Real Spaces
1 real room side by side. Chilly Blue and Calm Tint are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. Calm Tint reads slightly lighter here — a subtle but real difference in how open the space feels.
Color Details
Chilly Blue vs Calm Tint Simulated Comparison
5 simulated room previews — drag the slider on each to see Chilly Blue on one side and Calm Tint on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Chilly Blue comparisons
See how Chilly Blue stacks up against other well-photographed colors across different brands and tones.
At LRV 69 vs 38, Ammonite is decisively the brighter choice.
White Dove reflects far more light (LRV 83 vs 38), opening up a space where Chilly Blue encloses it.
Chilly Blue reflects far more light (LRV 38 vs 6), opening up a space where Iron Ore encloses it.
At LRV 52 vs 38, Purbeck Stone is decisively the brighter choice.
A 8-point LRV gap (38 vs 30) makes Chilly Blue the marginally brighter of the two.
Mizzle reflects far more light (LRV 52 vs 38), opening up a space where Chilly Blue encloses it.
At LRV 60 vs 38, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 38), opening up a space where Chilly Blue encloses it.
Chilly Blue reads slightly lighter (LRV 38 vs 27), a gap that shows most in low-lit rooms.
A 5-point LRV gap (43 vs 38) makes French Gray the marginally brighter of the two.
At LRV 38 vs 4, Chilly Blue is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 38), opening up a space where Chilly Blue encloses it.
Chilly Blue reflects far more light (LRV 38 vs 13), opening up a space where Bancha encloses it.
Hardwick White reads slightly lighter (LRV 44 vs 38), a gap that shows most in low-lit rooms.
At LRV 84 vs 38, Pure White is decisively the brighter choice.
At LRV 38 vs 21, Chilly Blue is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 38), opening up a space where Chilly Blue encloses it.
Shoji White reflects far more light (LRV 74 vs 38), opening up a space where Chilly Blue encloses it.
Snowbound reflects far more light (LRV 83 vs 38), opening up a space where Chilly Blue encloses it.
At LRV 51 vs 38, Pigeon is decisively the brighter choice.
Chilly Blue reflects far more light (LRV 38 vs 12), opening up a space where Pewter Green encloses it.
Chilly Blue reflects far more light (LRV 38 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 38), opening up a space where Chilly Blue encloses it.
Their light reflectance is nearly identical (LRV 41 vs 38), so neither reads brighter in a room.
Chilly Blue reflects far more light (LRV 38 vs 12), opening up a space where Vintage Vogue encloses it.
Saybrook Sage reads slightly lighter (LRV 45 vs 38), a gap that shows most in low-lit rooms.
A 7-point LRV gap (38 vs 31) makes Chilly Blue the marginally brighter of the two.