
Flint Smoke vs Mount Saint Anne
Flint Smoke (Behr) and Mount Saint Anne (Benjamin Moore) come from different manufacturers. These are both blue-greys, so the question isn't which hue to choose — it's where within blue-grey to land. Their light reflectance values are nearly the same — 43 vs 42 — so neither will read significantly brighter or darker than the other. Where Flint Smoke leans blue, Mount Saint Anne reads green and blue — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 1.6 puts them in subtle territory — distinguishable in direct comparison, less so from across a room. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Flint Smoke vs Mount Saint Anne in Real Spaces
1 real room side by side. Flint Smoke and Mount Saint Anne are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. Flint Smoke reads more restrained here, while Mount Saint Anne adds a sense of enclosure and warmth.
Color Details
Flint Smoke vs Mount Saint Anne Simulated Comparison
5 simulated room previews — drag the slider on each to see Flint Smoke on one side and Mount Saint Anne on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Flint Smoke comparisons
See how Flint Smoke stacks up against other well-photographed colors across different brands and tones.


Ammonite reflects far more light (LRV 69 vs 43), opening up a space where Flint Smoke encloses it.


At LRV 83 vs 43, White Dove is decisively the brighter choice.


At LRV 43 vs 6, Flint Smoke is decisively the brighter choice.


Purbeck Stone reads slightly lighter (LRV 52 vs 43), a gap that shows most in low-lit rooms.


Flint Smoke reflects far more light (LRV 43 vs 30), opening up a space where Evergreen Fog encloses it.


A 9-point LRV gap (52 vs 43) makes Mizzle the marginally brighter of the two.


Agreeable Gray reflects far more light (LRV 60 vs 43), opening up a space where Flint Smoke encloses it.


At LRV 58 vs 43, Accessible Beige is decisively the brighter choice.


At LRV 43 vs 27, Flint Smoke is decisively the brighter choice.


With LRVs of 43 and 43, the two reflect almost the same amount of light.


Flint Smoke reflects far more light (LRV 43 vs 4), opening up a space where Naval encloses it.


At LRV 55 vs 43, Tranquil Dawn is decisively the brighter choice.


At LRV 43 vs 13, Flint Smoke is decisively the brighter choice.


Their light reflectance is nearly identical (LRV 44 vs 43), so neither reads brighter in a room.


Pure White reflects far more light (LRV 84 vs 43), opening up a space where Flint Smoke encloses it.


Flint Smoke reflects far more light (LRV 43 vs 21), opening up a space where Artichoke encloses it.


At LRV 66 vs 43, Balboa Mist is decisively the brighter choice.


At LRV 74 vs 43, Shoji White is decisively the brighter choice.


At LRV 83 vs 43, Snowbound is decisively the brighter choice.


Pigeon reads slightly lighter (LRV 51 vs 43), a gap that shows most in low-lit rooms.


At LRV 43 vs 12, Flint Smoke is decisively the brighter choice.


At LRV 43 vs 8, Flint Smoke is decisively the brighter choice.


At LRV 68 vs 43, Skimming Stone is decisively the brighter choice.


With LRVs of 43 and 41, the two reflect almost the same amount of light.


At LRV 43 vs 12, Flint Smoke is decisively the brighter choice.


Their light reflectance is nearly identical (LRV 45 vs 43), so neither reads brighter in a room.


Flint Smoke reads slightly lighter (LRV 43 vs 31), a gap that shows most in low-lit rooms.














