Heath Gray vs Purbeck Stone
Heath Gray (Behr) and Purbeck Stone (Farrow & Ball) come from different manufacturers. Heath Gray reads as grey, while Purbeck Stone reads as greige-grey — two distinct hue families, not close cousins. The 7-point LRV gap — 59 for Heath Gray vs 52 for Purbeck Stone — means Heath Gray will open up a space more effectively. Where Heath Gray leans green and yellow, Purbeck Stone reads warm — a distinction that shifts noticeably depending on the light source and surrounding finishes. ΔE 5.1 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Heath Gray vs Purbeck Stone Simulated Comparison
5 simulated room previews — drag the slider on each to see Heath Gray on one side and Purbeck Stone on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Heath Gray comparisons
See how Heath Gray stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 59), opening up a space where Heath Gray encloses it.
A 10-point LRV gap (69 vs 59) makes Ammonite the marginally brighter of the two.
Heath Gray reflects far more light (LRV 59 vs 6), opening up a space where Iron Ore encloses it.
At LRV 59 vs 30, Heath Gray is decisively the brighter choice.
Heath Gray reads slightly lighter (LRV 59 vs 52), a gap that shows most in low-lit rooms.
Their light reflectance is nearly identical (LRV 60 vs 59), so neither reads brighter in a room.
With LRVs of 59 and 58, the two reflect almost the same amount of light.
Heath Gray reflects far more light (LRV 59 vs 27), opening up a space where Denim Drift encloses it.
At LRV 59 vs 43, Heath Gray is decisively the brighter choice.
At LRV 59 vs 4, Heath Gray is decisively the brighter choice.
Heath Gray reads slightly lighter (LRV 59 vs 55), a gap that shows most in low-lit rooms.
Heath Gray reflects far more light (LRV 59 vs 13), opening up a space where Bancha encloses it.
Heath Gray reflects far more light (LRV 59 vs 44), opening up a space where Hardwick White encloses it.
At LRV 84 vs 59, Pure White is decisively the brighter choice.
At LRV 59 vs 21, Heath Gray is decisively the brighter choice.
Balboa Mist reads slightly lighter (LRV 66 vs 59), a gap that shows most in low-lit rooms.
Shoji White reflects far more light (LRV 74 vs 59), opening up a space where Heath Gray encloses it.
Snowbound reflects far more light (LRV 83 vs 59), opening up a space where Heath Gray encloses it.
Heath Gray reflects far more light (LRV 59 vs 12), opening up a space where Pewter Green encloses it.
Skimming Stone reads slightly lighter (LRV 68 vs 59), a gap that shows most in low-lit rooms.
At LRV 59 vs 41, Heath Gray is decisively the brighter choice.
A 9-point LRV gap (68 vs 59) makes Calamine the marginally brighter of the two.
At LRV 59 vs 25, Heath Gray is decisively the brighter choice.
Heath Gray reflects far more light (LRV 59 vs 12), opening up a space where Vintage Vogue encloses it.
Heath Gray reflects far more light (LRV 59 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 59 vs 31, Heath Gray is decisively the brighter choice.
At LRV 59 vs 7, Heath Gray is decisively the brighter choice.
At LRV 59 vs 24, Heath Gray is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 59 vs 57), so neither reads brighter in a room.
At LRV 72 vs 59, Just Walnut is decisively the brighter choice.