Journey's End vs Naval
Journey's End is a Behr color while Naval comes from Sherwin-Williams. These are both blues, so the question isn't which hue to choose — it's where within blue to land. At LRV 56 vs 4, Journey's End will read as the brighter of the two — a 52-point gap that matters most in north-facing or low-light rooms. The tonal difference — Journey's End's blue character against Naval's cool — becomes most visible against white trim or in morning light. At ΔE 55.2, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 6 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Journey's End vs Naval in Real Spaces
6 real rooms side by side. Seeing Journey's End and Naval in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. Journey's End returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The LRV gap is large enough that Journey's End will make the room feel meaningfully brighter than Naval would.
Kitchen
Kitchen lighting tends to be bright and directional, which sharpens contrast and makes undertone differences more apparent. The LRV gap is large enough that Journey's End will make the room feel meaningfully brighter than Naval would.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. The LRV gap is large enough that Journey's End will make the room feel meaningfully brighter than Naval would.
House
At full exterior scale, the difference between these two colors becomes much easier to judge than from a small chip. The LRV gap is large enough that Journey's End will make the room feel meaningfully brighter than Naval would.
Kitchen Cabinets
On cabinetry, undertone and temperature become more pronounced against countertops and hardware. The LRV gap is large enough that Journey's End will make the room feel meaningfully brighter than Naval would.
Color Details
Journey's End vs Naval Simulated Comparison
5 simulated room previews — drag the slider on each to see Journey's End on one side and Naval on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Journey's End comparisons
See how Journey's End stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 56), opening up a space where Journey's End encloses it.
At LRV 69 vs 56, Ammonite is decisively the brighter choice.
Journey's End reflects far more light (LRV 56 vs 6), opening up a space where Iron Ore encloses it.
A 4-point LRV gap (56 vs 52) makes Journey's End the marginally brighter of the two.
At LRV 56 vs 30, Journey's End is decisively the brighter choice.
Journey's End reads slightly lighter (LRV 56 vs 52), a gap that shows most in low-lit rooms.
A 4-point LRV gap (60 vs 56) makes Agreeable Gray the marginally brighter of the two.
With LRVs of 58 and 56, the two reflect almost the same amount of light.
Journey's End reflects far more light (LRV 56 vs 27), opening up a space where Denim Drift encloses it.
At LRV 56 vs 43, Journey's End is decisively the brighter choice.
With LRVs of 56 and 55, the two reflect almost the same amount of light.
Journey's End reflects far more light (LRV 56 vs 13), opening up a space where Bancha encloses it.
Journey's End reflects far more light (LRV 56 vs 44), opening up a space where Hardwick White encloses it.
At LRV 84 vs 56, Pure White is decisively the brighter choice.
At LRV 56 vs 21, Journey's End is decisively the brighter choice.
Balboa Mist reads slightly lighter (LRV 66 vs 56), a gap that shows most in low-lit rooms.
Shoji White reflects far more light (LRV 74 vs 56), opening up a space where Journey's End encloses it.
Snowbound reflects far more light (LRV 83 vs 56), opening up a space where Journey's End encloses it.
Journey's End reflects far more light (LRV 56 vs 12), opening up a space where Pewter Green encloses it.
Skimming Stone reads slightly lighter (LRV 68 vs 56), a gap that shows most in low-lit rooms.
At LRV 56 vs 41, Journey's End is decisively the brighter choice.
A 11-point LRV gap (68 vs 56) makes Calamine the marginally brighter of the two.
At LRV 56 vs 25, Journey's End is decisively the brighter choice.
Journey's End reflects far more light (LRV 56 vs 12), opening up a space where Vintage Vogue encloses it.
Journey's End reads slightly lighter (LRV 56 vs 45), a gap that shows most in low-lit rooms.
At LRV 56 vs 31, Journey's End is decisively the brighter choice.
At LRV 56 vs 7, Journey's End is decisively the brighter choice.
At LRV 56 vs 24, Journey's End is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 57 vs 56), so neither reads brighter in a room.
At LRV 72 vs 56, Just Walnut is decisively the brighter choice.