
Mammoth Mountain vs Turkish Tile
Where Mammoth Mountain belongs to Behr's range, Turkish Tile is a Sherwin-Williams color. These are both blues, so the question isn't which hue to choose — it's where within blue to land. Turkish Tile (LRV 16) reflects noticeably more light than Mammoth Mountain (LRV 11), a difference of 4 points that becomes especially apparent in rooms with limited natural light. Mammoth Mountain runs blue while Turkish Tile is decidedly cool, which means they'll respond very differently to warm vs cool light sources. The ΔE 5.3 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Mammoth Mountain vs Turkish Tile Simulated Comparison
5 simulated room previews — drag the slider on each to see Mammoth Mountain on one side and Turkish Tile on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Mammoth Mountain comparisons
See how Mammoth Mountain stacks up against other well-photographed colors across different brands and tones.



Ammonite reflects far more light (LRV 69 vs 11), opening up a space where Mammoth Mountain encloses it.



At LRV 83 vs 11, White Dove is decisively the brighter choice.



A 6-point LRV gap (11 vs 6) makes Mammoth Mountain the marginally brighter of the two.



Purbeck Stone reflects far more light (LRV 52 vs 11), opening up a space where Mammoth Mountain encloses it.



Evergreen Fog reflects far more light (LRV 30 vs 11), opening up a space where Mammoth Mountain encloses it.



At LRV 52 vs 11, Mizzle is decisively the brighter choice.



Agreeable Gray reflects far more light (LRV 60 vs 11), opening up a space where Mammoth Mountain encloses it.



At LRV 58 vs 11, Accessible Beige is decisively the brighter choice.



At LRV 27 vs 11, Denim Drift is decisively the brighter choice.



French Gray reflects far more light (LRV 43 vs 11), opening up a space where Mammoth Mountain encloses it.



Mammoth Mountain reads slightly lighter (LRV 11 vs 4), a gap that shows most in low-lit rooms.



At LRV 55 vs 11, Tranquil Dawn is decisively the brighter choice.



Their light reflectance is nearly identical (LRV 13 vs 11), so neither reads brighter in a room.



At LRV 44 vs 11, Hardwick White is decisively the brighter choice.



Pure White reflects far more light (LRV 84 vs 11), opening up a space where Mammoth Mountain encloses it.



Artichoke reads slightly lighter (LRV 21 vs 11), a gap that shows most in low-lit rooms.



At LRV 66 vs 11, Balboa Mist is decisively the brighter choice.



At LRV 74 vs 11, Shoji White is decisively the brighter choice.



At LRV 83 vs 11, Snowbound is decisively the brighter choice.



Pigeon reflects far more light (LRV 51 vs 11), opening up a space where Mammoth Mountain encloses it.



Their light reflectance is nearly identical (LRV 12 vs 11), so neither reads brighter in a room.



A 3-point LRV gap (11 vs 8) makes Mammoth Mountain the marginally brighter of the two.



At LRV 68 vs 11, Skimming Stone is decisively the brighter choice.



Dix Blue reflects far more light (LRV 41 vs 11), opening up a space where Mammoth Mountain encloses it.



Their light reflectance is nearly identical (LRV 12 vs 11), so neither reads brighter in a room.



At LRV 45 vs 11, Saybrook Sage is decisively the brighter choice.



Pale Green reflects far more light (LRV 31 vs 11), opening up a space where Mammoth Mountain encloses it.













