
Midnight Blue vs Skinny Jeans
Midnight Blue and Skinny Jeans come from the same Behr collection. Midnight Blue reads as blue-grey, while Skinny Jeans reads as blue — two distinct hue families, not close cousins. The 9-point LRV gap — 19 for Skinny Jeans vs 9 for Midnight Blue — means Skinny Jeans will open up a space more effectively. Both share a blue character, which means they'll respond to light and surrounding materials in similar ways. A ΔE of 16.2 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Midnight Blue vs Skinny Jeans in Real Spaces
1 real room side by side. Seeing Midnight Blue and Skinny Jeans in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. Skinny Jeans reflects noticeably more light off the walls, making the space read more open than Midnight Blue.
Color Details
Midnight Blue vs Skinny Jeans Simulated Comparison
5 simulated room previews — drag the slider on each to see Midnight Blue on one side and Skinny Jeans on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Midnight Blue comparisons
See how Midnight Blue stacks up against other well-photographed colors across different brands and tones.


At LRV 83 vs 9, White Dove is decisively the brighter choice.


Ammonite reflects far more light (LRV 69 vs 9), opening up a space where Midnight Blue encloses it.


A 4-point LRV gap (9 vs 6) makes Midnight Blue the marginally brighter of the two.


Purbeck Stone reflects far more light (LRV 52 vs 9), opening up a space where Midnight Blue encloses it.


Evergreen Fog reflects far more light (LRV 30 vs 9), opening up a space where Midnight Blue encloses it.


At LRV 52 vs 9, Mizzle is decisively the brighter choice.


Agreeable Gray reflects far more light (LRV 60 vs 9), opening up a space where Midnight Blue encloses it.


At LRV 58 vs 9, Accessible Beige is decisively the brighter choice.


At LRV 27 vs 9, Denim Drift is decisively the brighter choice.


French Gray reflects far more light (LRV 43 vs 9), opening up a space where Midnight Blue encloses it.


Midnight Blue reads slightly lighter (LRV 9 vs 4), a gap that shows most in low-lit rooms.


At LRV 55 vs 9, Tranquil Dawn is decisively the brighter choice.


A 4-point LRV gap (13 vs 9) makes Bancha the marginally brighter of the two.


At LRV 44 vs 9, Hardwick White is decisively the brighter choice.


Pure White reflects far more light (LRV 84 vs 9), opening up a space where Midnight Blue encloses it.


Artichoke reflects far more light (LRV 21 vs 9), opening up a space where Midnight Blue encloses it.


At LRV 66 vs 9, Balboa Mist is decisively the brighter choice.


At LRV 74 vs 9, Shoji White is decisively the brighter choice.


At LRV 83 vs 9, Snowbound is decisively the brighter choice.


Their light reflectance is nearly identical (LRV 12 vs 9), so neither reads brighter in a room.


At LRV 68 vs 9, Skimming Stone is decisively the brighter choice.


Dix Blue reflects far more light (LRV 41 vs 9), opening up a space where Midnight Blue encloses it.


Calamine reflects far more light (LRV 68 vs 9), opening up a space where Midnight Blue encloses it.


Treron reflects far more light (LRV 25 vs 9), opening up a space where Midnight Blue encloses it.


Their light reflectance is nearly identical (LRV 12 vs 9), so neither reads brighter in a room.


At LRV 45 vs 9, Saybrook Sage is decisively the brighter choice.


Pale Green reflects far more light (LRV 31 vs 9), opening up a space where Midnight Blue encloses it.


With LRVs of 9 and 7, the two reflect almost the same amount of light.


Cement grey reflects far more light (LRV 24 vs 9), opening up a space where Midnight Blue encloses it.


Guilford Green reflects far more light (LRV 57 vs 9), opening up a space where Midnight Blue encloses it.











