Midnight Blue vs Evening Dove
Where Midnight Blue belongs to Behr's range, Evening Dove is a Benjamin Moore color. Both sit in the blue-grey family, which is useful context if you're narrowing within a single hue direction. Evening Dove (LRV 12) reflects noticeably more light than Midnight Blue (LRV 9), a difference of 3 points that becomes especially apparent in rooms with limited natural light. Both lean blue, so they'll behave similarly in mixed or changing light conditions. The ΔE 3.7 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Midnight Blue vs Evening Dove in Real Spaces
1 real room side by side. Midnight Blue and Evening Dove are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Kitchen Cabinets
Kitchen cabinets are constantly compared against adjacent materials, which means subtle differences between these two become much more visible. The distinction reads clearly at room scale, making the choice between them concrete.
Color Details
Midnight Blue vs Evening Dove Simulated Comparison
5 simulated room previews — drag the slider on each to see Midnight Blue on one side and Evening Dove on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Midnight Blue comparisons
See how Midnight Blue stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 9, White Dove is decisively the brighter choice.
Ammonite reflects far more light (LRV 69 vs 9), opening up a space where Midnight Blue encloses it.
A 4-point LRV gap (9 vs 6) makes Midnight Blue the marginally brighter of the two.
Purbeck Stone reflects far more light (LRV 52 vs 9), opening up a space where Midnight Blue encloses it.
Evergreen Fog reflects far more light (LRV 30 vs 9), opening up a space where Midnight Blue encloses it.
At LRV 52 vs 9, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 9), opening up a space where Midnight Blue encloses it.
At LRV 58 vs 9, Accessible Beige is decisively the brighter choice.
At LRV 27 vs 9, Denim Drift is decisively the brighter choice.
French Gray reflects far more light (LRV 43 vs 9), opening up a space where Midnight Blue encloses it.
Midnight Blue reads slightly lighter (LRV 9 vs 4), a gap that shows most in low-lit rooms.
At LRV 55 vs 9, Tranquil Dawn is decisively the brighter choice.
A 4-point LRV gap (13 vs 9) makes Bancha the marginally brighter of the two.
At LRV 44 vs 9, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 9), opening up a space where Midnight Blue encloses it.
Artichoke reflects far more light (LRV 21 vs 9), opening up a space where Midnight Blue encloses it.
At LRV 66 vs 9, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 9, Shoji White is decisively the brighter choice.
At LRV 83 vs 9, Snowbound is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 12 vs 9), so neither reads brighter in a room.
At LRV 68 vs 9, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 9), opening up a space where Midnight Blue encloses it.
Calamine reflects far more light (LRV 68 vs 9), opening up a space where Midnight Blue encloses it.
Treron reflects far more light (LRV 25 vs 9), opening up a space where Midnight Blue encloses it.
Their light reflectance is nearly identical (LRV 12 vs 9), so neither reads brighter in a room.
At LRV 45 vs 9, Saybrook Sage is decisively the brighter choice.
Pale Green reflects far more light (LRV 31 vs 9), opening up a space where Midnight Blue encloses it.
With LRVs of 9 and 7, the two reflect almost the same amount of light.
Cement grey reflects far more light (LRV 24 vs 9), opening up a space where Midnight Blue encloses it.
Guilford Green reflects far more light (LRV 57 vs 9), opening up a space where Midnight Blue encloses it.