Monet vs Mizzle
Where Monet belongs to Behr's range, Mizzle is a Farrow & Ball color. Hue-wise, Monet belongs to the blue family and Mizzle to the grey family. Monet (LRV 61) reflects noticeably more light than Mizzle (LRV 52), a difference of 9 points that becomes especially apparent in rooms with limited natural light. Monet runs blue while Mizzle is decidedly warm, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 15.9, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 6 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Monet vs Mizzle in Real Spaces
6 real rooms side by side. Seeing Monet and Mizzle in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that Monet will make the room feel meaningfully brighter than Mizzle would.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. Monet reflects noticeably more light off the walls, making the space read more open than Mizzle.
Kitchen
In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. Monet reflects noticeably more light off the walls, making the space read more open than Mizzle.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Monet reflects noticeably more light off the walls, making the space read more open than Mizzle.
House
Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. Monet reflects noticeably more light off the walls, making the space read more open than Mizzle.
Color Details
Monet vs Mizzle Simulated Comparison
5 simulated room previews — drag the slider on each to see Monet on one side and Mizzle on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Monet comparisons
See how Monet stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 61, White Dove is decisively the brighter choice.
Monet reads slightly lighter (LRV 61 vs 52), a gap that shows most in low-lit rooms.
Monet reflects far more light (LRV 61 vs 30), opening up a space where Evergreen Fog encloses it.
With LRVs of 61 and 60, the two reflect almost the same amount of light.
A 3-point LRV gap (61 vs 58) makes Monet the marginally brighter of the two.
At LRV 61 vs 27, Monet is decisively the brighter choice.
Monet reflects far more light (LRV 61 vs 43), opening up a space where French Gray encloses it.
A 6-point LRV gap (61 vs 55) makes Monet the marginally brighter of the two.
At LRV 61 vs 44, Monet is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 61), opening up a space where Monet encloses it.
A 5-point LRV gap (66 vs 61) makes Balboa Mist the marginally brighter of the two.
At LRV 74 vs 61, Shoji White is decisively the brighter choice.
At LRV 61 vs 12, Monet is decisively the brighter choice.
A 7-point LRV gap (68 vs 61) makes Skimming Stone the marginally brighter of the two.
At LRV 61 vs 12, Monet is decisively the brighter choice.
At LRV 61 vs 45, Monet is decisively the brighter choice.
Monet reflects far more light (LRV 61 vs 31), opening up a space where Pale Green encloses it.
Monet reflects far more light (LRV 61 vs 7), opening up a space where Pine Needle encloses it.
Monet reflects far more light (LRV 61 vs 24), opening up a space where Cement grey encloses it.
Monet reads slightly lighter (LRV 61 vs 57), a gap that shows most in low-lit rooms.
Just Walnut reads slightly lighter (LRV 72 vs 61), a gap that shows most in low-lit rooms.