Moth Gray vs Calamine
Moth Gray (Behr) and Calamine (Farrow & Ball) come from different manufacturers. Moth Gray reads as beige-greige, while Calamine reads as pink-red — two distinct hue families, not close cousins. Their light reflectance values are nearly the same — 66 vs 68 — so neither will read significantly brighter or darker than the other. Where Moth Gray leans red, Calamine reads warm — a distinction that shifts noticeably depending on the light source and surrounding finishes. ΔE 5.4 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Moth Gray vs Calamine in Real Spaces
3 real rooms side by side. Moth Gray and Calamine are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. The distinction reads clearly at room scale, making the choice between them concrete.
Kitchen
Kitchens often have the harshest, most revealing light in the house — under-cabinet LEDs and overhead fixtures that strip away subtlety. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Dining Room
Dining rooms often rely on warm incandescent or candlelight, which flatters warm undertones and mutes cool ones. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Color Details
Moth Gray vs Calamine Simulated Comparison
5 simulated room previews — drag the slider on each to see Moth Gray on one side and Calamine on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Moth Gray comparisons
See how Moth Gray stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 66), opening up a space where Moth Gray encloses it.
At LRV 66 vs 52, Moth Gray is decisively the brighter choice.
At LRV 66 vs 30, Moth Gray is decisively the brighter choice.
A 5-point LRV gap (66 vs 60) makes Moth Gray the marginally brighter of the two.
Moth Gray reads slightly lighter (LRV 66 vs 58), a gap that shows most in low-lit rooms.
Moth Gray reflects far more light (LRV 66 vs 27), opening up a space where Denim Drift encloses it.
At LRV 66 vs 43, Moth Gray is decisively the brighter choice.
Moth Gray reads slightly lighter (LRV 66 vs 55), a gap that shows most in low-lit rooms.
Moth Gray reflects far more light (LRV 66 vs 44), opening up a space where Hardwick White encloses it.
At LRV 84 vs 66, Pure White is decisively the brighter choice.
With LRVs of 66 and 66, the two reflect almost the same amount of light.
Shoji White reads slightly lighter (LRV 74 vs 66), a gap that shows most in low-lit rooms.
Moth Gray reflects far more light (LRV 66 vs 12), opening up a space where Pewter Green encloses it.
With LRVs of 68 and 66, the two reflect almost the same amount of light.
Moth Gray reflects far more light (LRV 66 vs 12), opening up a space where Vintage Vogue encloses it.
Moth Gray reflects far more light (LRV 66 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 66 vs 31, Moth Gray is decisively the brighter choice.
At LRV 66 vs 7, Moth Gray is decisively the brighter choice.
At LRV 66 vs 24, Moth Gray is decisively the brighter choice.
A 9-point LRV gap (66 vs 57) makes Moth Gray the marginally brighter of the two.
A 6-point LRV gap (72 vs 66) makes Just Walnut the marginally brighter of the two.