Rainy Afternoon vs Bancha
Rainy Afternoon is a Behr color while Bancha comes from Farrow & Ball. Rainy Afternoon reads as blue-green, while Bancha reads as beige-greige — two distinct hue families, not close cousins. At LRV 30 vs 13, Rainy Afternoon will read as the brighter of the two — a 17-point gap that matters most in north-facing or low-light rooms. The tonal difference — Rainy Afternoon's green character against Bancha's warm — becomes most visible against white trim or in morning light. At ΔE 26.4, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 4 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Rainy Afternoon vs Bancha in Real Spaces
4 real rooms side by side. Seeing Rainy Afternoon and Bancha in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. Rainy Afternoon returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The LRV gap is large enough that Rainy Afternoon will make the room feel meaningfully brighter than Bancha would.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. The LRV gap is large enough that Rainy Afternoon will make the room feel meaningfully brighter than Bancha would.
Kitchen Cabinets
On cabinetry, undertone and temperature become more pronounced against countertops and hardware. The LRV gap is large enough that Rainy Afternoon will make the room feel meaningfully brighter than Bancha would.
Color Details
Rainy Afternoon vs Bancha Simulated Comparison
5 simulated room previews — drag the slider on each to see Rainy Afternoon on one side and Bancha on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Rainy Afternoon comparisons
See how Rainy Afternoon stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 30), opening up a space where Rainy Afternoon encloses it.
At LRV 69 vs 30, Ammonite is decisively the brighter choice.
Rainy Afternoon reflects far more light (LRV 30 vs 6), opening up a space where Iron Ore encloses it.
At LRV 52 vs 30, Purbeck Stone is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 30 vs 30), so neither reads brighter in a room.
Mizzle reflects far more light (LRV 52 vs 30), opening up a space where Rainy Afternoon encloses it.
At LRV 60 vs 30, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 30), opening up a space where Rainy Afternoon encloses it.
With LRVs of 30 and 27, the two reflect almost the same amount of light.
At LRV 43 vs 30, French Gray is decisively the brighter choice.
At LRV 30 vs 4, Rainy Afternoon is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 30), opening up a space where Rainy Afternoon encloses it.
Hardwick White reflects far more light (LRV 44 vs 30), opening up a space where Rainy Afternoon encloses it.
At LRV 84 vs 30, Pure White is decisively the brighter choice.
A 8-point LRV gap (30 vs 21) makes Rainy Afternoon the marginally brighter of the two.
Balboa Mist reflects far more light (LRV 66 vs 30), opening up a space where Rainy Afternoon encloses it.
Shoji White reflects far more light (LRV 74 vs 30), opening up a space where Rainy Afternoon encloses it.
Snowbound reflects far more light (LRV 83 vs 30), opening up a space where Rainy Afternoon encloses it.
Rainy Afternoon reflects far more light (LRV 30 vs 12), opening up a space where Pewter Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 30), opening up a space where Rainy Afternoon encloses it.
A 11-point LRV gap (41 vs 30) makes Dix Blue the marginally brighter of the two.
At LRV 68 vs 30, Calamine is decisively the brighter choice.
A 5-point LRV gap (30 vs 25) makes Rainy Afternoon the marginally brighter of the two.
Rainy Afternoon reflects far more light (LRV 30 vs 12), opening up a space where Vintage Vogue encloses it.
Saybrook Sage reflects far more light (LRV 45 vs 30), opening up a space where Rainy Afternoon encloses it.
Their light reflectance is nearly identical (LRV 31 vs 30), so neither reads brighter in a room.
At LRV 30 vs 7, Rainy Afternoon is decisively the brighter choice.
A 6-point LRV gap (30 vs 24) makes Rainy Afternoon the marginally brighter of the two.
At LRV 57 vs 30, Guilford Green is decisively the brighter choice.
At LRV 72 vs 30, Just Walnut is decisively the brighter choice.