Retro Pink vs Hicks' Blue
Retro Pink is a Behr color while Hicks' Blue comes from Little Greene. Retro Pink reads as pink, while Hicks' Blue reads as blue — two distinct hue families, not close cousins. Retro Pink has an LRV of 39. The tonal difference — Retro Pink's red character against Hicks' Blue's blue — becomes most visible against white trim or in morning light. At ΔE 42.5, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 4 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Retro Pink vs Hicks' Blue in Real Spaces
4 real rooms side by side. Seeing Retro Pink and Hicks' Blue in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Front Door
Front doors are seen in isolation against the rest of the facade, which makes them a high-stakes surface where even subtle differences matter. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Color Details
Retro Pink vs Hicks' Blue Simulated Comparison
5 simulated room previews — drag the slider on each to see Retro Pink on one side and Hicks' Blue on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Retro Pink comparisons
See how Retro Pink stacks up against other well-photographed colors across different brands and tones.
Ammonite reflects far more light (LRV 69 vs 39), opening up a space where Retro Pink encloses it.
At LRV 83 vs 39, White Dove is decisively the brighter choice.
At LRV 39 vs 6, Retro Pink is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 39), opening up a space where Retro Pink encloses it.
Retro Pink reads slightly lighter (LRV 39 vs 30), a gap that shows most in low-lit rooms.
At LRV 52 vs 39, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 39), opening up a space where Retro Pink encloses it.
At LRV 58 vs 39, Accessible Beige is decisively the brighter choice.
At LRV 39 vs 27, Retro Pink is decisively the brighter choice.
French Gray reads slightly lighter (LRV 43 vs 39), a gap that shows most in low-lit rooms.
Retro Pink reflects far more light (LRV 39 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 39, Tranquil Dawn is decisively the brighter choice.
At LRV 39 vs 13, Retro Pink is decisively the brighter choice.
A 5-point LRV gap (44 vs 39) makes Hardwick White the marginally brighter of the two.
Pure White reflects far more light (LRV 84 vs 39), opening up a space where Retro Pink encloses it.
Retro Pink reflects far more light (LRV 39 vs 21), opening up a space where Artichoke encloses it.
At LRV 66 vs 39, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 39, Shoji White is decisively the brighter choice.
At LRV 83 vs 39, Snowbound is decisively the brighter choice.
Pigeon reads slightly lighter (LRV 51 vs 39), a gap that shows most in low-lit rooms.
At LRV 39 vs 12, Retro Pink is decisively the brighter choice.
At LRV 39 vs 8, Retro Pink is decisively the brighter choice.
At LRV 68 vs 39, Skimming Stone is decisively the brighter choice.
With LRVs of 41 and 39, the two reflect almost the same amount of light.
At LRV 39 vs 12, Retro Pink is decisively the brighter choice.
A 6-point LRV gap (45 vs 39) makes Saybrook Sage the marginally brighter of the two.
Retro Pink reads slightly lighter (LRV 39 vs 31), a gap that shows most in low-lit rooms.
Retro Pink reflects far more light (LRV 39 vs 7), opening up a space where Pine Needle encloses it.