Summer In The City vs Obsession
Summer In The City is a Behr color while Obsession comes from PPG. Both sit in the beige family, which is useful context if you're narrowing within a single hue direction. At LRV 39 vs 30, Summer In The City will read as the brighter of the two — a 9-point gap that matters most in north-facing or low-light rooms. At ΔE 11.6, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Summer In The City vs Obsession Simulated Comparison
5 simulated room previews — drag the slider on each to see Summer In The City on one side and Obsession on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Summer In The City comparisons
See how Summer In The City stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 39, White Dove is decisively the brighter choice.
Ammonite reflects far more light (LRV 69 vs 39), opening up a space where Summer In The City encloses it.
At LRV 39 vs 6, Summer In The City is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 39), opening up a space where Summer In The City encloses it.
Summer In The City reads slightly lighter (LRV 39 vs 30), a gap that shows most in low-lit rooms.
At LRV 52 vs 39, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 39), opening up a space where Summer In The City encloses it.
At LRV 58 vs 39, Accessible Beige is decisively the brighter choice.
At LRV 39 vs 27, Summer In The City is decisively the brighter choice.
French Gray reads slightly lighter (LRV 43 vs 39), a gap that shows most in low-lit rooms.
Summer In The City reflects far more light (LRV 39 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 39, Tranquil Dawn is decisively the brighter choice.
At LRV 39 vs 13, Summer In The City is decisively the brighter choice.
A 5-point LRV gap (44 vs 39) makes Hardwick White the marginally brighter of the two.
Pure White reflects far more light (LRV 84 vs 39), opening up a space where Summer In The City encloses it.
Summer In The City reflects far more light (LRV 39 vs 21), opening up a space where Artichoke encloses it.
At LRV 66 vs 39, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 39, Shoji White is decisively the brighter choice.
At LRV 83 vs 39, Snowbound is decisively the brighter choice.
At LRV 39 vs 12, Summer In The City is decisively the brighter choice.
At LRV 68 vs 39, Skimming Stone is decisively the brighter choice.
With LRVs of 41 and 39, the two reflect almost the same amount of light.
Calamine reflects far more light (LRV 68 vs 39), opening up a space where Summer In The City encloses it.
Summer In The City reflects far more light (LRV 39 vs 25), opening up a space where Treron encloses it.
At LRV 39 vs 12, Summer In The City is decisively the brighter choice.
A 6-point LRV gap (45 vs 39) makes Saybrook Sage the marginally brighter of the two.
Summer In The City reads slightly lighter (LRV 39 vs 31), a gap that shows most in low-lit rooms.
Summer In The City reflects far more light (LRV 39 vs 7), opening up a space where Pine Needle encloses it.
Summer In The City reflects far more light (LRV 39 vs 24), opening up a space where Cement grey encloses it.
Guilford Green reflects far more light (LRV 57 vs 39), opening up a space where Summer In The City encloses it.