Wave Top vs Aqueduct
Where Wave Top belongs to Behr's range, Aqueduct is a Sherwin-Williams color. Both sit in the blue family, which is useful context if you're narrowing within a single hue direction. They have nearly identical light reflectance values (60 vs 59), so they'll read as similarly Light in most lighting conditions. Wave Top runs green and blue while Aqueduct is decidedly cool, which means they'll respond very differently to warm vs cool light sources. The ΔE 4.6 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Wave Top vs Aqueduct in Real Spaces
5 real rooms side by side. Wave Top and Aqueduct are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. The distinction reads clearly at room scale, making the choice between them concrete.
Kitchen
In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. The distinction reads clearly at room scale, making the choice between them concrete.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. The distinction reads clearly at room scale, making the choice between them concrete.
Color Details
Wave Top vs Aqueduct Simulated Comparison
5 simulated room previews — drag the slider on each to see Wave Top on one side and Aqueduct on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Wave Top comparisons
See how Wave Top stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 60, White Dove is decisively the brighter choice.
Wave Top reads slightly lighter (LRV 60 vs 52), a gap that shows most in low-lit rooms.
Wave Top reflects far more light (LRV 60 vs 30), opening up a space where Evergreen Fog encloses it.
With LRVs of 60 and 60, the two reflect almost the same amount of light.
Their light reflectance is nearly identical (LRV 60 vs 58), so neither reads brighter in a room.
At LRV 60 vs 27, Wave Top is decisively the brighter choice.
Wave Top reflects far more light (LRV 60 vs 43), opening up a space where French Gray encloses it.
A 5-point LRV gap (60 vs 55) makes Wave Top the marginally brighter of the two.
At LRV 60 vs 44, Wave Top is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 60), opening up a space where Wave Top encloses it.
A 5-point LRV gap (66 vs 60) makes Balboa Mist the marginally brighter of the two.
At LRV 74 vs 60, Shoji White is decisively the brighter choice.
At LRV 60 vs 12, Wave Top is decisively the brighter choice.
At LRV 60 vs 8, Wave Top is decisively the brighter choice.
A 8-point LRV gap (68 vs 60) makes Skimming Stone the marginally brighter of the two.
At LRV 60 vs 12, Wave Top is decisively the brighter choice.
At LRV 60 vs 45, Wave Top is decisively the brighter choice.
Wave Top reflects far more light (LRV 60 vs 31), opening up a space where Pale Green encloses it.
Wave Top reflects far more light (LRV 60 vs 7), opening up a space where Pine Needle encloses it.
Wave Top reflects far more light (LRV 60 vs 24), opening up a space where Cement grey encloses it.
With LRVs of 60 and 57, the two reflect almost the same amount of light.