'50s Pink vs RAL 160-4
Where '50s Pink belongs to Benjamin Moore's range, RAL 160-4 is a RAL Effect color. Hue-wise, '50s Pink belongs to the pink-red family and RAL 160-4 to the pink family. They have nearly identical light reflectance values (78 vs 78), so they'll read as similarly Light in most lighting conditions. The ΔE 5.3 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
'50s Pink vs RAL 160-4 Simulated Comparison
5 simulated room previews — drag the slider on each to see '50s Pink on one side and RAL 160-4 on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More '50s Pink comparisons
See how '50s Pink stacks up against other well-photographed colors across different brands and tones.
White Dove reads slightly lighter (LRV 83 vs 78), a gap that shows most in low-lit rooms.
At LRV 78 vs 52, '50s Pink is decisively the brighter choice.
At LRV 78 vs 30, '50s Pink is decisively the brighter choice.
At LRV 78 vs 60, '50s Pink is decisively the brighter choice.
'50s Pink reflects far more light (LRV 78 vs 58), opening up a space where Accessible Beige encloses it.
'50s Pink reflects far more light (LRV 78 vs 27), opening up a space where Denim Drift encloses it.
At LRV 78 vs 43, '50s Pink is decisively the brighter choice.
'50s Pink reflects far more light (LRV 78 vs 55), opening up a space where Tranquil Dawn encloses it.
'50s Pink reflects far more light (LRV 78 vs 44), opening up a space where Hardwick White encloses it.
A 6-point LRV gap (84 vs 78) makes Pure White the marginally brighter of the two.
'50s Pink reflects far more light (LRV 78 vs 66), opening up a space where Balboa Mist encloses it.
'50s Pink reads slightly lighter (LRV 78 vs 74), a gap that shows most in low-lit rooms.
'50s Pink reflects far more light (LRV 78 vs 12), opening up a space where Pewter Green encloses it.
'50s Pink reflects far more light (LRV 78 vs 8), opening up a space where Duck Green encloses it.
'50s Pink reads slightly lighter (LRV 78 vs 68), a gap that shows most in low-lit rooms.
'50s Pink reflects far more light (LRV 78 vs 12), opening up a space where Vintage Vogue encloses it.
'50s Pink reflects far more light (LRV 78 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 78 vs 31, '50s Pink is decisively the brighter choice.