Adagio vs Ammonite
Where Adagio belongs to Benjamin Moore's range, Ammonite is a Farrow & Ball color. Hue-wise, Adagio belongs to the grey family and Ammonite to the beige-greige family. Ammonite (LRV 69) reflects noticeably more light than Adagio (LRV 39), a difference of 30 points that becomes especially apparent in rooms with limited natural light. Adagio runs blue while Ammonite is decidedly warm, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 19.4, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Adagio vs Ammonite Simulated Comparison
5 simulated room previews — drag the slider on each to see Adagio on one side and Ammonite on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Adagio comparisons
See how Adagio stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 39), opening up a space where Adagio encloses it.
At LRV 52 vs 39, Purbeck Stone is decisively the brighter choice.
A 9-point LRV gap (39 vs 30) makes Adagio the marginally brighter of the two.
At LRV 60 vs 39, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 39), opening up a space where Adagio encloses it.
Adagio reflects far more light (LRV 39 vs 27), opening up a space where Denim Drift encloses it.
A 4-point LRV gap (43 vs 39) makes French Gray the marginally brighter of the two.
Tranquil Dawn reflects far more light (LRV 55 vs 39), opening up a space where Adagio encloses it.
Hardwick White reads slightly lighter (LRV 44 vs 39), a gap that shows most in low-lit rooms.
At LRV 84 vs 39, Pure White is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 39), opening up a space where Adagio encloses it.
Shoji White reflects far more light (LRV 74 vs 39), opening up a space where Adagio encloses it.
Adagio reflects far more light (LRV 39 vs 12), opening up a space where Pewter Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 39), opening up a space where Adagio encloses it.
Adagio reflects far more light (LRV 39 vs 12), opening up a space where Vintage Vogue encloses it.
Saybrook Sage reads slightly lighter (LRV 45 vs 39), a gap that shows most in low-lit rooms.
A 8-point LRV gap (39 vs 31) makes Adagio the marginally brighter of the two.
At LRV 39 vs 7, Adagio is decisively the brighter choice.
At LRV 39 vs 24, Adagio is decisively the brighter choice.
At LRV 57 vs 39, Guilford Green is decisively the brighter choice.
At LRV 72 vs 39, Just Walnut is decisively the brighter choice.