Adobe Orange vs Charlotte's Locks
Where Adobe Orange belongs to Benjamin Moore's range, Charlotte's Locks is a Farrow & Ball color. These are both pink-reds, so the question isn't which hue to choose — it's where within pink-red to land. Adobe Orange (LRV 25) reflects noticeably more light than Charlotte's Locks (LRV 21), a difference of 3 points that becomes especially apparent in rooms with limited natural light. Adobe Orange runs red while Charlotte's Locks is decidedly warm, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 10.4, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Adobe Orange vs Charlotte's Locks Simulated Comparison
5 simulated room previews — drag the slider on each to see Adobe Orange on one side and Charlotte's Locks on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Adobe Orange comparisons
See how Adobe Orange stacks up against other well-photographed colors across different brands and tones.
