Adobe Orange vs Emotional
Where Adobe Orange belongs to Benjamin Moore's range, Emotional is a Sherwin-Williams color. These are both pink-reds, so the question isn't which hue to choose — it's where within pink-red to land. Adobe Orange (LRV 25) reflects noticeably more light than Emotional (LRV 21), a difference of 4 points that becomes especially apparent in rooms with limited natural light. Adobe Orange runs red while Emotional is decidedly warm, which means they'll respond very differently to warm vs cool light sources. The ΔE 4.1 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Adobe Orange vs Emotional in Real Spaces
2 real rooms side by side. Adobe Orange and Emotional are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Dining Room
A dining room lit by a dimmed pendant or candles is one of the most forgiving environments for paint — warm light softens almost everything. Adobe Orange has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Home Office
The test for a home office color isn't how it looks in a quick glance — it's whether it still feels right after a full day of work. Adobe Orange reads slightly lighter here — a subtle but real difference in how open the space feels.
Color Details
Adobe Orange vs Emotional Simulated Comparison
5 simulated room previews — drag the slider on each to see Adobe Orange on one side and Emotional on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Adobe Orange comparisons
See how Adobe Orange stacks up against other well-photographed colors across different brands and tones.
At LRV 69 vs 25, Ammonite is decisively the brighter choice.
White Dove reflects far more light (LRV 83 vs 25), opening up a space where Adobe Orange encloses it.
Adobe Orange reflects far more light (LRV 25 vs 6), opening up a space where Iron Ore encloses it.
At LRV 52 vs 25, Purbeck Stone is decisively the brighter choice.
A 6-point LRV gap (30 vs 25) makes Evergreen Fog the marginally brighter of the two.
Mizzle reflects far more light (LRV 52 vs 25), opening up a space where Adobe Orange encloses it.
At LRV 60 vs 25, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 25), opening up a space where Adobe Orange encloses it.
With LRVs of 27 and 25, the two reflect almost the same amount of light.
At LRV 43 vs 25, French Gray is decisively the brighter choice.
At LRV 25 vs 4, Adobe Orange is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 25), opening up a space where Adobe Orange encloses it.
Adobe Orange reads slightly lighter (LRV 25 vs 13), a gap that shows most in low-lit rooms.
Hardwick White reflects far more light (LRV 44 vs 25), opening up a space where Adobe Orange encloses it.
At LRV 84 vs 25, Pure White is decisively the brighter choice.
A 3-point LRV gap (25 vs 21) makes Adobe Orange the marginally brighter of the two.
Balboa Mist reflects far more light (LRV 66 vs 25), opening up a space where Adobe Orange encloses it.
Shoji White reflects far more light (LRV 74 vs 25), opening up a space where Adobe Orange encloses it.
Snowbound reflects far more light (LRV 83 vs 25), opening up a space where Adobe Orange encloses it.
At LRV 51 vs 25, Pigeon is decisively the brighter choice.
Adobe Orange reflects far more light (LRV 25 vs 12), opening up a space where Pewter Green encloses it.
Adobe Orange reflects far more light (LRV 25 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 25), opening up a space where Adobe Orange encloses it.
At LRV 41 vs 25, Dix Blue is decisively the brighter choice.
Adobe Orange reflects far more light (LRV 25 vs 12), opening up a space where Vintage Vogue encloses it.
Saybrook Sage reflects far more light (LRV 45 vs 25), opening up a space where Adobe Orange encloses it.
A 7-point LRV gap (31 vs 25) makes Pale Green the marginally brighter of the two.