After Midnight vs Guilford Green

After Midnight and Guilford Green come from the same Benjamin Moore collection. After Midnight reads as blue-grey, while Guilford Green reads as beige-green — two distinct hue families, not close cousins. The 51-point LRV gap — 57 for Guilford Green vs 6 for After Midnight — means Guilford Green will open up a space more effectively. Where After Midnight leans blue, Guilford Green reads yellow — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 61.7 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.

Color Details

After Midnight
Benjamin Moore · CSP-630
Hex#33383E
LRV6.0
BrandBenjamin Moore
NumberCSP-630
UndertoneBlue
TemperatureCool
BrightnessDark
Guilford Green
Benjamin Moore · HC-116
Hex#CBCDAE
LRV57.2
BrandBenjamin Moore
NumberHC-116
UndertoneYellow
TemperatureWarm
BrightnessMedium

After Midnight vs Guilford Green Simulated Comparison

5 simulated room previews — drag the slider on each to see After Midnight on one side and Guilford Green on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More After Midnight comparisons

See how After Midnight stacks up against other well-photographed colors across different brands and tones.

White Dove
After Midnight
White Dove
Benjamin Moore
After Midnight
CSP-630 · LRV 6

White Dove reflects far more light (LRV 83 vs 6), opening up a space where After Midnight encloses it.

Ammonite
After Midnight
Ammonite
Benjamin Moore
After Midnight
CSP-630 · LRV 6
Farrow & Ball
Ammonite
LRV 69

At LRV 69 vs 6, Ammonite is decisively the brighter choice.

Iron Ore
After Midnight
Iron Ore
Benjamin Moore
After Midnight
CSP-630 · LRV 6

With LRVs of 6 and 6, the two reflect almost the same amount of light.

Purbeck Stone
After Midnight
Purbeck Stone
Benjamin Moore
After Midnight
CSP-630 · LRV 6

At LRV 52 vs 6, Purbeck Stone is decisively the brighter choice.

Evergreen Fog
After Midnight
Evergreen Fog
Benjamin Moore
After Midnight
CSP-630 · LRV 6

At LRV 30 vs 6, Evergreen Fog is decisively the brighter choice.

Mizzle
After Midnight
Mizzle
Benjamin Moore
After Midnight
CSP-630 · LRV 6
Farrow & Ball
Mizzle
LRV 52

Mizzle reflects far more light (LRV 52 vs 6), opening up a space where After Midnight encloses it.

Agreeable Gray
After Midnight
Agreeable Gray
Benjamin Moore
After Midnight
CSP-630 · LRV 6

At LRV 60 vs 6, Agreeable Gray is decisively the brighter choice.

Accessible Beige
After Midnight
Accessible Beige
Benjamin Moore
After Midnight
CSP-630 · LRV 6

Accessible Beige reflects far more light (LRV 58 vs 6), opening up a space where After Midnight encloses it.

Denim Drift
After Midnight
Denim Drift
Benjamin Moore
After Midnight
CSP-630 · LRV 6

Denim Drift reflects far more light (LRV 27 vs 6), opening up a space where After Midnight encloses it.

French Gray
After Midnight
French Gray
Benjamin Moore
After Midnight
CSP-630 · LRV 6

At LRV 43 vs 6, French Gray is decisively the brighter choice.

Naval
After Midnight
Naval
Benjamin Moore
After Midnight
CSP-630 · LRV 6
Sherwin-Williams
Naval
LRV 4

Their light reflectance is nearly identical (LRV 6 vs 4), so neither reads brighter in a room.

Tranquil Dawn
After Midnight
Tranquil Dawn
Benjamin Moore
After Midnight
CSP-630 · LRV 6

Tranquil Dawn reflects far more light (LRV 55 vs 6), opening up a space where After Midnight encloses it.

Bancha
After Midnight
Bancha
Benjamin Moore
After Midnight
CSP-630 · LRV 6
Farrow & Ball
Bancha
LRV 13

Bancha reads slightly lighter (LRV 13 vs 6), a gap that shows most in low-lit rooms.

Hardwick White
After Midnight
Hardwick White
Benjamin Moore
After Midnight
CSP-630 · LRV 6

Hardwick White reflects far more light (LRV 44 vs 6), opening up a space where After Midnight encloses it.

Pure White
After Midnight
Pure White
Benjamin Moore
After Midnight
CSP-630 · LRV 6

At LRV 84 vs 6, Pure White is decisively the brighter choice.

Artichoke
After Midnight
Artichoke
Benjamin Moore
After Midnight
CSP-630 · LRV 6
Sherwin-Williams
Artichoke
LRV 21

At LRV 21 vs 6, Artichoke is decisively the brighter choice.

Balboa Mist
After Midnight
Balboa Mist
Benjamin Moore
After Midnight
CSP-630 · LRV 6

Balboa Mist reflects far more light (LRV 66 vs 6), opening up a space where After Midnight encloses it.

Shoji White
After Midnight
Shoji White
Benjamin Moore
After Midnight
CSP-630 · LRV 6

Shoji White reflects far more light (LRV 74 vs 6), opening up a space where After Midnight encloses it.

Snowbound
After Midnight
Snowbound
Benjamin Moore
After Midnight
CSP-630 · LRV 6
Sherwin-Williams
Snowbound
LRV 83

Snowbound reflects far more light (LRV 83 vs 6), opening up a space where After Midnight encloses it.

Pewter Green
After Midnight
Pewter Green
Benjamin Moore
After Midnight
CSP-630 · LRV 6

Pewter Green reads slightly lighter (LRV 12 vs 6), a gap that shows most in low-lit rooms.

Skimming Stone
After Midnight
Skimming Stone
Benjamin Moore
After Midnight
CSP-630 · LRV 6

Skimming Stone reflects far more light (LRV 68 vs 6), opening up a space where After Midnight encloses it.

Dix Blue
After Midnight
Dix Blue
Benjamin Moore
After Midnight
CSP-630 · LRV 6
Farrow & Ball
Dix Blue
LRV 41

At LRV 41 vs 6, Dix Blue is decisively the brighter choice.

Calamine
After Midnight
Calamine
Benjamin Moore
After Midnight
CSP-630 · LRV 6
Farrow & Ball
Calamine
LRV 68

At LRV 68 vs 6, Calamine is decisively the brighter choice.

Treron
After Midnight
Treron
Benjamin Moore
After Midnight
CSP-630 · LRV 6
Farrow & Ball
Treron
LRV 25

At LRV 25 vs 6, Treron is decisively the brighter choice.

Vintage Vogue
After Midnight
Vintage Vogue
Benjamin Moore
After Midnight
CSP-630 · LRV 6

Vintage Vogue reads slightly lighter (LRV 12 vs 6), a gap that shows most in low-lit rooms.

Saybrook Sage
After Midnight
Saybrook Sage
Benjamin Moore
After Midnight
CSP-630 · LRV 6

Saybrook Sage reflects far more light (LRV 45 vs 6), opening up a space where After Midnight encloses it.

Pale Green
After Midnight
Pale Green
Benjamin Moore
After Midnight
CSP-630 · LRV 6
RAL ClassicClassic
Pale Green
LRV 31

At LRV 31 vs 6, Pale Green is decisively the brighter choice.

Pine Needle
After Midnight
Pine Needle
Benjamin Moore
After Midnight
CSP-630 · LRV 6

Their light reflectance is nearly identical (LRV 7 vs 6), so neither reads brighter in a room.

Cement grey
After Midnight
Cement grey
Benjamin Moore
After Midnight
CSP-630 · LRV 6
RAL ClassicClassic
Cement grey
LRV 24

At LRV 24 vs 6, Cement grey is decisively the brighter choice.

Just Walnut
After Midnight
Just Walnut
Benjamin Moore
After Midnight
CSP-630 · LRV 6

At LRV 72 vs 6, Just Walnut is decisively the brighter choice.