Alabaster vs White Dove
Both from Benjamin Moore's palette. Both sit in the beige-greige family, which is useful context if you're narrowing within a single hue direction. They have nearly identical light reflectance values (85 vs 83), so they'll read as similarly Light in most lighting conditions. Both lean yellow, so they'll behave similarly in mixed or changing light conditions. At ΔE 1.4, these are close — the kind of difference that matters when choosing between them, but doesn't read strongly in a finished room. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Alabaster vs White Dove in Real Spaces
3 real rooms side by side. Alabaster and White Dove are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
House
Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Color Details
Alabaster vs White Dove Simulated Comparison
5 simulated room previews — drag the slider on each to see Alabaster on one side and White Dove on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Alabaster comparisons
See how Alabaster stacks up against other well-photographed colors across different brands and tones.
Alabaster reflects far more light (LRV 85 vs 52), opening up a space where Purbeck Stone encloses it.
Alabaster reflects far more light (LRV 85 vs 30), opening up a space where Evergreen Fog encloses it.
Alabaster reflects far more light (LRV 85 vs 60), opening up a space where Agreeable Gray encloses it.
At LRV 85 vs 58, Alabaster is decisively the brighter choice.
At LRV 85 vs 27, Alabaster is decisively the brighter choice.
Alabaster reflects far more light (LRV 85 vs 43), opening up a space where French Gray encloses it.
At LRV 85 vs 55, Alabaster is decisively the brighter choice.
At LRV 85 vs 44, Alabaster is decisively the brighter choice.
With LRVs of 85 and 84, the two reflect almost the same amount of light.
At LRV 85 vs 66, Alabaster is decisively the brighter choice.
A 11-point LRV gap (85 vs 74) makes Alabaster the marginally brighter of the two.
At LRV 85 vs 12, Alabaster is decisively the brighter choice.
At LRV 85 vs 68, Alabaster is decisively the brighter choice.
At LRV 85 vs 12, Alabaster is decisively the brighter choice.
At LRV 85 vs 45, Alabaster is decisively the brighter choice.
Alabaster reflects far more light (LRV 85 vs 31), opening up a space where Pale Green encloses it.
Alabaster reflects far more light (LRV 85 vs 7), opening up a space where Pine Needle encloses it.
Alabaster reflects far more light (LRV 85 vs 24), opening up a space where Cement grey encloses it.
Alabaster reflects far more light (LRV 85 vs 57), opening up a space where Guilford Green encloses it.
Alabaster reflects far more light (LRV 85 vs 72), opening up a space where Just Walnut encloses it.