Almost Black vs Perle Noir
Almost Black (Benjamin Moore) and Perle Noir (Sherwin-Williams) come from different manufacturers. These are both greys, so the question isn't which hue to choose — it's where within grey to land. Their light reflectance values are nearly the same — 9 vs 8 — so neither will read significantly brighter or darker than the other. Where Almost Black leans blue and purple, Perle Noir reads neutral — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 0.8 puts them in subtle territory — distinguishable in direct comparison, less so from across a room. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Almost Black vs Perle Noir Simulated Comparison
5 simulated room previews — drag the slider on each to see Almost Black on one side and Perle Noir on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Almost Black comparisons
See how Almost Black stacks up against other well-photographed colors across different brands and tones.
