Ancient Ivory vs Ashwood
Ancient Ivory and Ashwood come from the same Benjamin Moore collection. Ancient Ivory reads as beige-yellow, while Ashwood reads as beige-greige — two distinct hue families, not close cousins. The 13-point LRV gap — 80 for Ancient Ivory vs 67 for Ashwood — means Ancient Ivory will open up a space more effectively. Both share a yellow character, which means they'll respond to light and surrounding materials in similar ways. ΔE 7.0 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Ancient Ivory vs Ashwood Simulated Comparison
5 simulated room previews — drag the slider on each to see Ancient Ivory on one side and Ashwood on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Ancient Ivory comparisons
See how Ancient Ivory stacks up against other well-photographed colors across different brands and tones.
Their light reflectance is nearly identical (LRV 83 vs 80), so neither reads brighter in a room.
Ancient Ivory reads slightly lighter (LRV 80 vs 69), a gap that shows most in low-lit rooms.
At LRV 80 vs 6, Ancient Ivory is decisively the brighter choice.
Ancient Ivory reflects far more light (LRV 80 vs 52), opening up a space where Purbeck Stone encloses it.
Ancient Ivory reflects far more light (LRV 80 vs 30), opening up a space where Evergreen Fog encloses it.
At LRV 80 vs 52, Ancient Ivory is decisively the brighter choice.
Ancient Ivory reflects far more light (LRV 80 vs 60), opening up a space where Agreeable Gray encloses it.
At LRV 80 vs 58, Ancient Ivory is decisively the brighter choice.
At LRV 80 vs 27, Ancient Ivory is decisively the brighter choice.
Ancient Ivory reflects far more light (LRV 80 vs 43), opening up a space where French Gray encloses it.
Ancient Ivory reflects far more light (LRV 80 vs 4), opening up a space where Naval encloses it.
At LRV 80 vs 55, Ancient Ivory is decisively the brighter choice.
At LRV 80 vs 13, Ancient Ivory is decisively the brighter choice.
At LRV 80 vs 44, Ancient Ivory is decisively the brighter choice.
Pure White reads slightly lighter (LRV 84 vs 80), a gap that shows most in low-lit rooms.
Ancient Ivory reflects far more light (LRV 80 vs 21), opening up a space where Artichoke encloses it.
At LRV 80 vs 66, Ancient Ivory is decisively the brighter choice.
A 6-point LRV gap (80 vs 74) makes Ancient Ivory the marginally brighter of the two.
Their light reflectance is nearly identical (LRV 83 vs 80), so neither reads brighter in a room.
At LRV 80 vs 12, Ancient Ivory is decisively the brighter choice.
At LRV 80 vs 68, Ancient Ivory is decisively the brighter choice.
Ancient Ivory reflects far more light (LRV 80 vs 41), opening up a space where Dix Blue encloses it.
Ancient Ivory reflects far more light (LRV 80 vs 68), opening up a space where Calamine encloses it.
Ancient Ivory reflects far more light (LRV 80 vs 25), opening up a space where Treron encloses it.
At LRV 80 vs 12, Ancient Ivory is decisively the brighter choice.
At LRV 80 vs 45, Ancient Ivory is decisively the brighter choice.
Ancient Ivory reflects far more light (LRV 80 vs 31), opening up a space where Pale Green encloses it.
Ancient Ivory reflects far more light (LRV 80 vs 7), opening up a space where Pine Needle encloses it.
Ancient Ivory reflects far more light (LRV 80 vs 24), opening up a space where Cement grey encloses it.
Ancient Ivory reflects far more light (LRV 80 vs 57), opening up a space where Guilford Green encloses it.