Ancient Oak vs Ammonite
Where Ancient Oak belongs to Benjamin Moore's range, Ammonite is a Farrow & Ball color. Hue-wise, Ancient Oak belongs to the beige-yellow family and Ammonite to the beige-greige family. Ancient Oak (LRV 73) reflects noticeably more light than Ammonite (LRV 69), a difference of 4 points that becomes especially apparent in rooms with limited natural light. Both lean warm, so they'll behave similarly in mixed or changing light conditions. The ΔE 7.3 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Ancient Oak vs Ammonite Simulated Comparison
5 simulated room previews — drag the slider on each to see Ancient Oak on one side and Ammonite on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Ancient Oak comparisons
See how Ancient Oak stacks up against other well-photographed colors across different brands and tones.
White Dove reads slightly lighter (LRV 83 vs 73), a gap that shows most in low-lit rooms.
Ancient Oak reflects far more light (LRV 73 vs 6), opening up a space where Iron Ore encloses it.
At LRV 73 vs 52, Ancient Oak is decisively the brighter choice.
At LRV 73 vs 30, Ancient Oak is decisively the brighter choice.
Ancient Oak reflects far more light (LRV 73 vs 52), opening up a space where Mizzle encloses it.
At LRV 73 vs 60, Ancient Oak is decisively the brighter choice.
Ancient Oak reflects far more light (LRV 73 vs 58), opening up a space where Accessible Beige encloses it.
Ancient Oak reflects far more light (LRV 73 vs 27), opening up a space where Denim Drift encloses it.
At LRV 73 vs 43, Ancient Oak is decisively the brighter choice.
At LRV 73 vs 4, Ancient Oak is decisively the brighter choice.
Ancient Oak reflects far more light (LRV 73 vs 55), opening up a space where Tranquil Dawn encloses it.
Ancient Oak reflects far more light (LRV 73 vs 13), opening up a space where Bancha encloses it.
Ancient Oak reflects far more light (LRV 73 vs 44), opening up a space where Hardwick White encloses it.
A 11-point LRV gap (84 vs 73) makes Pure White the marginally brighter of the two.
At LRV 73 vs 21, Ancient Oak is decisively the brighter choice.
Ancient Oak reads slightly lighter (LRV 73 vs 66), a gap that shows most in low-lit rooms.
With LRVs of 74 and 73, the two reflect almost the same amount of light.
Snowbound reads slightly lighter (LRV 83 vs 73), a gap that shows most in low-lit rooms.
Ancient Oak reflects far more light (LRV 73 vs 12), opening up a space where Pewter Green encloses it.
Ancient Oak reads slightly lighter (LRV 73 vs 68), a gap that shows most in low-lit rooms.
At LRV 73 vs 41, Ancient Oak is decisively the brighter choice.
A 5-point LRV gap (73 vs 68) makes Ancient Oak the marginally brighter of the two.
At LRV 73 vs 25, Ancient Oak is decisively the brighter choice.
Ancient Oak reflects far more light (LRV 73 vs 12), opening up a space where Vintage Vogue encloses it.
Ancient Oak reflects far more light (LRV 73 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 73 vs 31, Ancient Oak is decisively the brighter choice.
At LRV 73 vs 7, Ancient Oak is decisively the brighter choice.
At LRV 73 vs 24, Ancient Oak is decisively the brighter choice.
At LRV 73 vs 57, Ancient Oak is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 73 vs 72), so neither reads brighter in a room.