Andes Summit vs Asphalt
Both from Benjamin Moore's palette. Hue-wise, Andes Summit belongs to the blue-grey family and Asphalt to the grey family. Asphalt (LRV 21) reflects noticeably more light than Andes Summit (LRV 14), a difference of 7 points that becomes especially apparent in rooms with limited natural light. Andes Summit runs blue while Asphalt is decidedly yellow, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 16.3, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Andes Summit vs Asphalt in Real Spaces
2 real rooms side by side. Seeing Andes Summit and Asphalt in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The brightness difference is modest but present — Asphalt gives the walls a little more lift.
Kitchen Cabinets
Kitchen cabinets are constantly compared against adjacent materials, which means subtle differences between these two become much more visible. Asphalt reads slightly lighter here — a subtle but real difference in how open the space feels.
Color Details
Andes Summit vs Asphalt Simulated Comparison
5 simulated room previews — drag the slider on each to see Andes Summit on one side and Asphalt on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Andes Summit comparisons
See how Andes Summit stacks up against other well-photographed colors across different brands and tones.
