Andes Summit vs Glacial Till
Both from Benjamin Moore's palette. Andes Summit reads as blue-grey, while Glacial Till reads as beige-greige — two distinct hue families, not close cousins. Glacial Till (LRV 47) reflects noticeably more light than Andes Summit (LRV 14), a difference of 33 points that becomes especially apparent in rooms with limited natural light. Andes Summit runs blue while Glacial Till is decidedly red, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 40.6, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Andes Summit vs Glacial Till in Real Spaces
1 real room side by side. Seeing Andes Summit and Glacial Till in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that Glacial Till will make the room feel meaningfully brighter than Andes Summit would.
Color Details
Andes Summit vs Glacial Till Simulated Comparison
5 simulated room previews — drag the slider on each to see Andes Summit on one side and Glacial Till on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Andes Summit comparisons
See how Andes Summit stacks up against other well-photographed colors across different brands and tones.
